Film Highlights of the Decade 2010-2019

As the decade reaches its close, I take a look back at some of my favourite film trends and cinematic highlights from the last ten years…

The New Breed of Unmissable Directors

This decade has seen the emergence of a new breed of directors delivering must-see films. Leading the pack in Hollywood are Damien Chazelle and Barry Jenkins. Chazelle has delivered one of the decade’s best pictures with Whiplash, and two other fantastic films (La La Land and First Man). Meanwhile Jenkins gifted us two beautiful, nuanced pictures with Moonlight and If Beale Street Could Talk. Jennifer Kent has also created two different but powerful movies (The Babadook and The Nightingale), making her mark.

Other impressive directors who have emerged this decade include Ryan Coogler (Fruitvale Station, Creed), Robert Eggers (The Witch, The Lighthouse), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Justin Simien (Dear White People), and Julia Ducournau (Raw) also offered impressive debut features.

Excellent Late Franchise Entries

It really has been a decade of remakes, reboots, and belated sequels. Whilst many of these have been passable or forgettable, a couple of late franchise instalments have really stood out. George Miller bucked the trend to deliver one of the best films of this decade with Mad Max: Fury Road. The exhilarating fourth chapter in the franchise was breathtaking. Director Christopher McQuarrie re-teamed with Tom Cruise for the sixth Mission: Impossible film, and produced the best of the franchise and one of the best action films of the decade with Mission: Impossible – Fallout. Elsewhere director Steven Quale revived the tired Final Destination franchise with the very entertaining final chapter Final Destination 5.

Career Resurgences

This decade has seen a notable uptick in the careers of certain veteran actors. After a fairly quiet previous ten years, Laura Dern’s resurgence has been most rewarding to watch. This decade has seen the actress in an array of film roles including The Master, Certain Women, Marriage Story, and the upcoming Little Women. She has also been memorable on television in Twin Peaks and Big Little Lies. Michael Keaton has also had a belter of a decade, after a fairly unremarkable 2000s. He had major roles in Spotlight, The Founder, and Spider-Man: Homecoming (living long enough to become the villain), and was nominated for an Oscar for his brilliant turn in Birdman. Regina King has always delivered solid performances since her debut in Boyz n the Hood. It is only in the last few years that she has finally received the praise and calibre of roles she deserves, winning an Oscar for her role in If Beale Street Could Talk and playing the lead in the critically acclaimed show Watchmen.

Paddington Bear

In a bleak decade politically, Paddington Bear has been the hero we needed. Paul King’s Paddington and Paddington 2 have been a salve against the cruelties of this decade. A lead who is decent and kind (not to mention incredibly cute) has cut through the cynicism of the current world. The films were very entertaining, and a wonderful escape from current affairs. Paddington 2 in particular was very memorable and enchanting, with Hugh Grant on top form.

Christopher Nolan

If the decade had to belong to a single director, in terms of both critical acclaim and box office receipts, then that filmmaker would be Christopher Nolan. No one has been able to create original tentpole blockbusters in the way he has this decade. Nolan began the decade on top form with the action-thriller Inception, one of the biggest films of the year. He followed this with the final chapter of the Dark Knight trilogy, The Dark Knight Rises. The film is just about the most hopeful blockbuster of the decade, reaching a peak of exhilaration that is difficult to match. Interstellar and the truly superb Dunkirk exhibited Nolan’s comfort in a range of genres. With the upcoming Tenet, Christopher Nolan’s films are always hotly anticipated.

Park Chan-wook and Chung Chung-hoon’s Continuing Collaboration

Director Park Chan-wook and cinematographer Chung Chung-hoon collaboration began in the 2000s, working on three films together (Oldboy, Lady Vengeance, and Thirst). The fact that their partnership continued into this decade is a benefit to us all. With Stoker and The Handmaiden, Park and Chung delivered two of the decade’s handsomest pictures. The photography, the mise en scène, and the style are truly beautiful.

Trent Reznor Film Scores

After composing pieces for films earlier in his career (including for David Lynch’s Lost Highway), the 2010s was when Trent Reznor’s career as a composer really took off. His collaborations with Atticus Ross have been a highlight of cinema this decade. Highlights include the partnership with David Fincher (which netted Reznor an Oscar for The Social Network), as well as Mid90s and the recent Waves. Reznor and Ross also created the superlative score for the show Watchmen.

Directorial Debuts By Actors

This decade has seen some brilliant directorial debuts from well-known actors. These actors have proven their talents extend to behind the camera Highlights from this trend include Greta Gerwig’s wonderful Ladybird (Gerwig co-directed Nights and Weekends, but Ladybird was her first solo effort), and Jordan Peele’s fantastic Get Out. Other notable debuts include Chris Morris’ Four Lions, Olivia Wilde’s Booksmart, Joel Edgerton’s The Gift, Bradley Cooper’s A Star is Born, and Brie Larson’s Unicorn Store.

LFF 2019 Highlights Part 2

With the 63rd BFI London Film Festival drawing to a close tonight, there have been a lot of wonderful movies this year. The best films of the first week can be viewed here. Below are the LFF 2019 highlights from the second week…

LFF 2019 Highlights – Unmissable

The Irishman

In a career positively littered with jewels, Martin Scorsese manages to surpass expectations once more. The film is a magnificent gem. The Irishman is an introspective study, with Scorsese pulling no punches where it counts. READ MORE

Making Waves: The Art of Cinematic Sound

Midge Costin’s documentary Making Waves: The Art of Cinematic Sound is as immersive as its subject matter. Midge Costin’s documentary Making Waves: The Art of Cinematic Sound is as immersive as its subject matter. READ MORE

Judy & Punch

Mirrah Foulkes’ Judy & Punch is an impressive fairy tale. Boasting a distinctive atmosphere and strong performances, the film is an engrossing watch. Foulkes has delivered an original, creative, and compelling debut with Judy & PunchREAD MORE

LFF 2019 Highlights – Best of the Rest

Knives Out

Writer-director Rian Johnson’s murder mystery Knives Out is tremendous fun. The star cast are on great form in this very entertaining film. With Knives Out, Johnson plants several red herrings, offers up twists, and delivers a hugely enjoyable film. READ MORE

Waves

Trey Edward Shults’ Waves is tender, powerful, and finely executed. There are several emotional moments, and each of these is earned by the solid script, good character development, and the filmmaker’s considered direction. READ MORE

Family Romance LLC

Werner Herzog’s documentary style drama Family Romance LLC depicts a bizarre but fascinating phenomenon. The film is both amusing and disquieting. Herzog once again shows his flair for capturing the various shades of humanity. READ MORE

Sid & Judy

On the fiftieth anniversary of Judy Garland’s death, director Stephen Kijak has created a timely and engrossing documentary with Sid & Judy. The film effectively conveys Garland’s magnetism, and does not shy away from depicting the star’s personal struggles. A very entertaining documentary. READ MORE

Deerskin

Another one of LFF 2019 highlights is Deerskin. Writer-director Quentin Dupieux’s Deerskin (Le Daim) is absurd and entertaining. The film is a real treat. The film marries creativity and accessibility in an amusing package. READ MORE

The BFI London Film Festival ran from 2nd-13th October 2019.

Film Review: Waves

Trey Edward Shults’ Waves is tender, powerful, and finely executed. 

High school wrestler Tyler struggles with balancing practice, family life, and his relationship with his girlfriend. His sister Emily, meanwhile, struggles in the aftermath of a life-changing event…

Focusing on Tyler and his family as he faces pressure from all corners, Waves is a meditative drama. Written and directed by Trey Edward Shults, the film tackles powerful themes within the confines of a teen-focused drama.

The narrative has a definite break, when the focus is pulled from one protagonist and on to another. The first segment feels like a complete film when it reaches its climax. As the second segment begins it is difficult to see where Shults will take his story. As the second part continues, it is absorbing. There is humour to be found in both parts, but the emphasis remains on drama. There are several emotional moments, and each of these is earned by the solid script, good character development, and the filmmaker’s considered direction. 

Camera work in Waves is frenetic to begin with; it does not stop moving for the opening scenes. The pace and range of movement slows in tandem with Tyler’s momentum. It acts almost as a mirror to Tyler’s drive; as aspects of his life spin out of control, the camera slows to meet his level. Later in the film, the camera is more laconic, matching the personality of Emily.

Colour is used to good effect in the film, underscoring the mood and energy at times. Trent Reznor and Atticus Ross’ score is a brilliant accompaniment to the on screen action. Performances in Waves are great all round. Kelvin Harrison Jr. is completely believable as Tyler. As his life spirals out of control, his frenzy is conveyed in a disconcerting fashion. Taylor Russell is also great; she has great chemistry with Lucas Hedges. Sterling K. Brown is a strong asset as their father.

Shults’ third film illustrates the filmmaker’s considerable skill and adeptness at storytelling. Waves is memorable viewing.

Waves is being screened at the BFI London Film Festival in October 2019.