In charge of the kingdom, the Queen is jealous of the youth and beauty of her stepdaughter Snow White. She banishes the young princess to her room, eager to be seen as the fairest in all the land. When Snow White sees the outside world, she is convinced the Queen must be stopped. Snow White needs some help in her plan to reclaim her birthright…
Mirror Mirror is light in tone, which should enamour audiences. The film does not take itself too seriously, the campy feel hits the right balance been joviality and keeping the story engaging. The script is amusing, there is plenty of humour throughout the duration. Pacing is not as tight as it could be, however.
Although it retains the general plot, Mirror Mirror updates the Snow White fairy tale. Singh’s adaptation is somewhat more modern than the Disney version at least. There is a greater emphasis on the power and responsibility of Snow White; she is not quite the passive princess of previous incarnations. There is also more of an accentuation on the importance of working together, which is surely a good message for younger viewers.
Everything about Mirror Mirror is pleasing to the eye. The film features a highly stylised look, something of a trait the director. The art design, costumes, sets and effects are quintessential fantasy in their removal from reality. Colour is used extremely well in the film, particularly in the costumes of Snow White and the Queen.
Julia Roberts is a little irritating as the Queen. The actress had obviously been told to ham it up. Lily Collins is a delight as Snow White, looking every inch the part. Armie Hammer takes to light comedy surprisingly well as Prince Alcott. Nathan Lane provides good support as Brighton.
Mirror Mirror should prove to be enjoyable viewing for both family audiences and those looking for a light and amusing distraction.