Film Review: The Old Man and the Gun

Like its leading man, David Lowery’s The Old Man and the Gun is oozing with charm. The film is wonderful. 

An older man walks into a bank and commits a robbery. An unlikely figure, but this isn’t his first crime. As the police, attempt to trace the robber, he stays one step ahead…

From the opening sequence, the tone of Lowery’s film is immediately set. Writer-director Lowery and cinematographer Joe Anderson make The Old Man And The Gun look like a film made in the early 1980s (when the film is set). The grainy quality is immediately reminiscent of this period. Coupled with the titles, the film is very much a throwback to this era. 

The structure of the picture is set up like a game of cat and mouse. And although this loose structure is followed, the film is anything but generic. Lowery develops complex characters, not just with the protagonist and his chaser detective Hunt, but also with Jewel. The relationships that develop during the course of the film are a joy to watch. 

The film does offer tension, but this isn’t the modus operandi of the picture. Instead, the director offers an insight into the lead character, who is based on a real person. Rather than proffering a moral judgement, Lowery is interested in what drives this fascinating character. In doing so, they also explore his counterpart; with Hunt’s conversations with his wife and children elucidating his transitioning feelings towards the object of his prey. 

In what is rumoured to be Robert Redford’s final movie, Lowery has created an ode to the leading man. In using the early picture, and footage, the film feels dedicated to the fine actor. It is also fitting that he plays a character that is incredibly charming. Sissy Spacek is also excellent as Jewel; her expressions convey so much about how the character feels without the need for words. Casey Affleck is as solid as ever, while Danny Glover and Tom Waits provide good support. Daniel Hart’s soundtrack is superb, setting the tone and feeling very much of the relevant era.  

The Old Man And The Gun is one of Lowery’s more accessible films, yet there is no diminishment of beauty. A beguiling picture. 

The Old Man And The Gun is being screened at the BFI London Film Festival in October 2018.

Film Review: The Help

The Help is a tearjerker that is also immensely uplifiting. The drama is likely to move even the most hard-hearted of souls.

Out of college in 1960s Mississippi, Skeeter is determined to become a writer. Trying to think of a new and different idea for a piece, Skeeter decides to interview her best friend’s housekeeper about working as a maid. Talking to Aibileen highlights the difficulties faced by black workers employed by middle class white families in the segregated South. As Skeeter begins to interview more maids, her friendship with their white employers becomes strained…

Based on Kathryn Stockett’s novel, The Help is a well-crafted drama that goes for emotional impact. With a running time of almost two and a half hours, the film could have felt overlong. Thankfully there is enough to absorb viewers for the duration.

Director and screenwriter Tate Taylor adeptly weaves the narrative, developing characters that the audience can engage with. The Help features an ensemble cast and various narrative strands. These are each approached with consideration; the development appears natural rather than rushed. The film deals with a serious subject matter, but character and story development are not neglected.

The tone of The Help is immensely important in making it such a watchable film. The film ranges from poignant drama to light amusement. Given that the film is based on an emotive topic from a distinctive era, it would have been unsurprising if The Help had taken a very serious tact. The moments of humour make the film more enjoyable, and strike a good contrast to the film’s more emotional scenes.

The different representations in The Help are perhaps too easily categorised. Men do not get much of a look in; Tate Taylor’s film is all about the female characters. There seem to be some rather broad strokes in depicting the main characters as good and bad; Skeeter and Aibileen are beyond reproach, while Hilly can come across as cartoonesque in her villainy. Nonetheless, other characters show more layers, such as Minny, Mrs Walters and Elizabeth.

Performances are excellent from the ensemble cast. Emma Stone is bright as Skeeter, while Viola Davis brings heart as Abileen. Bryce Dallas Howard is fantastic as Hilly, and Octavia Spencer offers both humour and emotion as Minny. Elsewhere, Jessica Chastain is adorable as Celia, while Sissy Spacek is well cast as Mrs Walters.

The costumes and production design are superb in capturing the period. Music is also used effectively in the film. Overall, The Help is a well executed production. When the poignant moments arrive, viewers will find it difficult not to react emotionally.