Colin Clark longs to work in the motion picture industry. After some perseverance, he gets a job working for Sir Laurence Olivier’s production company. Colin becomes third assistant director on The Prince and the Showgirl, working with Olivier and Marilyn Monroe, who is the biggest star in 1956. Colin sees firsthand the tense relationship between director and star…
Based on Colin Clark’s memoirs, My Week with Marilyn documents the star’s trip to England to work on Laurence Olivier’s The Prince and the Showgirl. Simon Curtis’ film is populated with well-known characters, yet none of these seem to appear simply for novelty value. Owing to the fame of the title character, it is clear how the film will end, even if the details remain ambiguous. Nevertheless, this will not hinder the audience’s overall enjoyment of the film.
Clark’s perspective is an interesting one, as he is a newcomer to the film industry. Sharing his viewpoint offers viewers his fairly naive perspective, a contrast to the film’s more jaded characters. Whilst Colin may view Marilyn as fragile, an opinion the audience is invited to share, the film is all the better for including the differing views of the cast and crew.
Michelle Williams gives a spirited performance. It is clear she has meticulously studied the famous character. However, for all her talent, Williams is never fully convincing as Marilyn Monroe. Part of the problem is that Marilyn is such a famous person, and her performances so ingrained in the imagination. Every nuance of Williams’ will be scrutinised as she is acting out scenes from The Prince and the Showgirl that some of the audience will be familiar with. The other critical aspect is that Williams is rather well known herself. Thus it is inescapable that this is Michelle Williams doing an impression of Marilyn Monroe. Perhaps an unknown actress would have been best cast in the role.
Elsewhere, Kenneth Branagh is excellent as Laurence Olivier. Eddie Redmayne is convincing as Colin Clark, and Dominic Cooper is solid as ever as Milton Greene. Ben Smithard’s cinematography is wonderful; with Williams shot to look as much like Marilyn as possible. Jill Taylor’s costumes are fantastic, with the costume designer likely to receive plenty of nominations for her work on this film.
My Week with Marilyn is a well-produced film that should satisfy audiences. It is a must-see for fans of Monroe, who no doubt will pour over every detail.