Film Review: American Pie: Reunion

American Pie: Reunion is a film made for fans of the previous American Pie instalments. As such it should not disappoint; American Pie: Reunion is a lot of fun.

Thirteen years after they graduated high school, Jim, Michelle, Oz, Stifler and co are back in town for their reunion. Jim and Michelle are now married, whilst Oz has a successful career. As the gang reminisce about their youth, they realise how much their lives have changed. Stifler and co are keen to relive their old hijinks…

American Pie: Reunion is made precisely for the audience who watched and enjoyed the first film. Much of the humour is based around events that occurred in the first instalment. That is not to say that viewers would not be able to enjoy the film as a stand alone product, but just that the first film in particular is heavily referenced.

The narrative of American Pie: Reunion is predictable. There are no real surprises in terms of events that take place. Reunion follows the same pattern as the previous films, with the outlandish/cringeworthy incidents and the obsession with sex. The reason the film works so well is because of the amusing characters that populate the series; at this point audiences will have become fond of them. Moreover, the humour is crass and often immature, but it does generate the laughs.

The aspect of nostalgia is very much played upon by writer-directors Jon Hurwitz and Hayden Schlossberg. This is natural, given that the action revolves around a school reunion. As the characters look back and contemplate how far they have come since high school, many viewers of a similar age will be able to identify with this reflection. The sense of nostalgia is heightened by the use of a late 1990s/early 2000s soundtrack.

Seann William Scott is a scene stealer as Stifler, the role the actor is most associated with. As Jim, Jason Biggs is as clumsy and affable as ever. Tara Reid is a little reluctant reprising her role as Vicky, while Chris Klein brings some laughs as Oz.

American Pie: Reunion should be enjoyed for the fun that it is. Needless to say, those who did not like the first film are unlikely to be impressed by this offering.

The Empire Big Screen Diaries – Day 1

I love the smell of pastries in the morning.

Luckily for me, mini baked goods were bountiful in the press room of Empire Big Screen. The air was thick with the scent of pastries, coffee and journalists. Outside, queues of early-rising movie fans eagerly collected their tickets and discussed plans for the day ahead. The timetable for the day consisted of numerous events taking place at the same time, so choosing wisely was essential.

First up for me was the 20th Century Fox Showcase. I have a great affection for their current blockbuster Rise of the Planet of the Apes, so I was pretty eager to discover what treats lay in store. We were given 3D glasses as we entered the auditorium, an indication of what might be on show. Before any trailers or movie clips were shown, a short piece on directors who have worked with Fox was screened. A brief love letter to the company, George Lucas, Ridley Scott, James Cameron, Tim Burton and other prominent directors relayed their experiences directing under Fox. It was a fluff piece, but if I was in charge, I too would boast about being responsible for Alien, Edward Scissorhands, Say Anything and others. I would probably be really obnoxious, and flash up “We were responsible for Star Wars, bitches!”, but Fox have more class than me. Anyway, Fox followed this up with a short featurette on the effects used in Rise, then trailers for In Time, The Darkest Hour and Martha Marcy May Marlene. The first two are glossy thrillers, both with a sci-fi edge. The third was Fox Searchlight’s drama, which was screened at Cannes. The final item was a few short clips from Titanic, remastered in 3D for the April 2012 release. Some of the 3D was incredibly impressive, particularly Kate Winslet’s hat in her first appearance in the 1997 film.

Next up on the agenda was a wander around the exhibitors stalls, which featured all the big film companies, plus other things such as the animal actors stall. I was almost bowled over with excitement to see The Dark Knight Rises stall, until I saw it was just a bench and a television playing the teaser trailer. I don’t know what I was expecting really. Perhaps a Christian Bale meet and greet and the entire film being screened, because that would be plausible.

Our bellies enquired about feeding time, so lunch was the next order of business. We went to Nando’s, which was tasty. We managed to get one of the booths, which is always fun. My creamy mash was on point, and the chicken pitta went down a treat (in case you were interested in a review of the food).

The Universal Pictures Showcase took place in the early afternoon. In attendance were the screenwriter of Tinker Tailor Solider Spy, Peter Straughan, and producer Robyn Slovo. The pair introduced three exclusive clips from the film, explaining the context of each before they were screened. These were certainly successful in building anticipation for the film; it looks great from these small glimpses and I am not even au fait with the novel. Gary Oldman also recorded a message to the audience, which was a nice touch. Following this, a number of other trailers and clips were shown. First up was a video message from Seann William Scott from the set of American Reunion, the fourth American Pie film. Inexplicably no trailer for the film was shown, despite this introduction. The Raven trailer was screened, however, and it looks mighty interesting – a must see for Edgar Allen Poe enthusiasts. Trailers for The Change-Up, The Debt, Johnny English Reborn, Tower Heights, Battleship and The Thing were also shown. We were also lucky enough to get a world exclusive look at the trailer for upcoming thriller Contraband, starring Mark Wahlberg. Finally a trailer and some clips of Immortals were screened. The film, which is released in November, looks pretty gory, albeit in a cartoonish way.

After this, we headed upstairs to Cineworld for the Pint of Milk Live with Dominic Cooper. As we made our way up the escalator, we noticed Mr Cooper himself was shortly behind us. He was dressed very sharply, and I fleetingly pondered talking to him. Thankfully for all involved, I quickly decided against this. The only thing I would have come up with would be something akin to the very lame “I thought you were great in The Devil’s Double“, so I’m glad I didn’t embarrass myself. I don’t mix well with well-known folk. In the interview, Dominic was hilarious as he answered questions about the price of a pint of milk and other similarly frivolous topics. It was a very amusing session.

The next event, taking place in the same screen, was Writing The Inbetweeners. Iain Morris and Damon Beesley, writers of the television show and upcoming movie, answered questions. I am not the biggest fan of the show, but the pair made the session entertaining with their anecdotes about working with the cast on set and coming up with ideas. After the Q & A, audience-members were invited to ask questions. Both Iain and Damon were great guests, eager to discuss the film and happy to chat with fans afterwards.

Final event of the day for me was the Secret Screening. Ideas for the film had been floating around before, but nobody could or would confirm or deny. I was in receipt of a big clue shortly before the screening, thanks to some good timing. I overheard someone from the film company going into the screen carrying a Lionsgate bag. By our powers of deduction (that is to say, I checked this site on my phone), the options seem limited to Conan the Barbarian or Warrior. My esteemed fellow film writers and I seemed to veer towards Conan until someone astutely pointed out that we had not been given 3D glasses. After a short delay, we all settled down to watch Warrior. The film was good, and surprisingly powerful (review to follow).

Film Review: Cop Out

Reviews of Cop Out have been mediocre overall. By no means a classic, nonetheless, Cop Out is not as bad as the reviews suggest either.

Jimmy and Paul, two NYPD detectives, happen upon a Brooklyn drug ring after Jimmy’s prized baseball card is stolen. A simple mission to recover the card by the duo becomes much more complicated after they discover more than they were expecting…

 The fundamental problem with Cop Out is that the film is not as funny as you’d hope it would be. While there is humour, it is not as consistent as one would expect from a movie directed by Kevin Smith and starring Tracey Morgan.

The pairing of Morgan with Bruce Willis works well; with Willis playing the straight man to Morgan’s funny guy. Elsewhere Seann William Scott plays an annoying but genial thief. Although Scott does well in these side character roles, it will be interesting to see whether he will eventually break out of the archetype Stifler mould.

Smith continues with his cinematic-referencing preoccupation in Cop Out, in an overt and sometimes humorous manner. In a sense, Cop Out is a film about wanting to be cops, in a brashy, television/film way. This is most evident through the detectives played by Kevin Pollak and Adam Brody; two back office cops who jeer at Jimmy and Paul, but long to do the dangerous, action hero thing themselves.

Cop Out does not do anything to redefine the buddy cop genre, but it is unlikely the film intended to. Instead it serves as a fun addition to the genre. A few more laughs would have been welcome, though.