Previews: Captain America: Civil War Posters, and more!

Plenty of blockbusters in this week’s preview of coming attractions, including Captain America: Civil War posters, X-Men: Apocalypse, Independence Day: Resurgence and more…

Captain America: Civil War Posters

Captain America: Civil War poster

Are you #TeamCap or #TeamIronMan? These new Captain America: Civil War posters highlight the division in the Avengers. Captain America: Civil War is as much a follow-up to Avengers: Age of Ultron as it is to 2014’s superlative Captain America: The Winter Soldier. Starring Chris Evans, Robert Downey Jr. and a host of other Marvel stars, Captain America: Civil War hits UK screens on 29th April 2016.

Captain America: Civil War Iron Man

Welcome To Me Trailer

Welcome To Me is about a lottery winner who decides to spend her winnings on creating her own talkshow. Kristen Wiig stars at the winner inspired by Oprah Winfrey, and the film also stars James Marsden, Wes Bentley and Joan Cusack. Welcome To Me will be released in cinemas and on Sky Store on 25th March 2016.

 

X-Men: Apocalypse Poster

X-Men: Apocalypse Poster

Michael Fassbender’s Magneto leads the four horsemen of the apocalypse in this new poster for X-Men: Apocalypse. The film sees the return of familiar characters from previous instalment as well as new additions played by Oscar Isaac, Sophie Turner and others. X-Men: Apocalypse blasts onto UK screens on 18th May 2016.

Florence Foster Jenkins Trailer

Florence Foster Jenkins star Meryl Streep as the New York heiress. She has a desire to sing, but her voice does not live up to her concert-hall aspirations. Also starring Hugh Grant, the film is directed by Stephen Frears. Florence Foster Jenkins is released in cinemas on 6th May 2016.

Miss Peregrine’s Home for Peculiar Children First Look

MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN

Well this looks mildly terrifying. Here is one of the first images released from Tim Burton’s upcoming Miss Peregrine’s Home for Peculiar Children. Based on the bestselling novel, the film stars Eva Green, Allison Janney, and Samuel L. Jackson. Miss Peregrine’s Home for Peculiar Children will be released in UK cinemas in Autumn 2016.

Demolition Trailer

Demolition is about a successful investment banker who struggles to cope after the tragic death of his wife. The film stars Jake Gyllenhaal, Naomi Watts and Chris Cooper. Directed by Dallas Buyers Club helmer Jean-Marc Valleé, Demolition hits UK cinemas on 29th April 2016.

Independence Day: Resurgence Poster

IDR Poster

Here is a new poster for the delayed sequel Independence Day: Resurgence. The film is set twenty years after the original, and sees the return of director Roland Emmerich and cast members Jeff Goldblum, Bill Pullman, and Vivica A. Fox. Independence Day: Resurgence launches on UK screens on 23rd June 2016.

Previews: Ghostbusters First Look, Batman v Superman and More!

Plenty to gaze upon this week, with the Ghostbusters first look image, posters for Batman v Superman: Dawn of Justice and Deadpool, and more…

Ghostbusters First Look

Ghostbusters First Look

Here is the Ghostbusters first look image. Little is known about the plot of the film, but the new Ghostbusters don very similar attire to their predecessors. Directed by Paul Feig and starring Melissa McCarthy, Kristen Wiig, Leslie Jones and Kate McKinnon. Ghostbusters is set to be released in Summer 2016.

Youth Trailer

Paolo Sorrentino’s Youth is a drama about a retired composer staying at a spa. The film features an enviable cast that includes Michael Caine, Rachel Weisz, Harvey Keitel and Jane Fonda. Youth, which has already gathered awards nominations, will be released in UK cinemas on 29th January 2016.

Batman v Superman: Dawn of Justice Poster

Wonder Woman Poster

This is my favourite of the three posters released for Batman v Superman: Dawn of Justice this week (the others were of the title characters). Gal Gadot stars as Wonder Woman in the upcoming DC film. It will be interesting to see the scope of her role in the film. particularly with the plans for the franchise. Batman v Superman: Dawn of Justice will hit the big screen in March 2015.

Fantastic Beasts and Where to Find Them Trailer

Here is the first trailer for Fantastic Beasts and Where to Find Them. Written by J.K. Rowling, the film focuses on the magical creatures in the Harry Potter universe. Starring Eddie Redmayne and Colin Farrell, Fantastic Beasts and Where to Find Them will be released in the UK on 18th November 2016.

Deadpool Poster

Deadpool poster

This latest Deadpool poster continues the tongue-in-cheek marketing we have seen so far. Ryan Reynolds reprises his role from X-Men Origins: Wolverine as the anti-hero Wade Wilson. Promising to be closer to the edge than have superhero fare, Deadpool bounds on to cinema screens on 4th February 2016.

Star Trek: Beyond Trailer

The first trailer for Star Trek: Beyond was released earlier this week, overall it seems to be harking back to the original series in some places, albeit on a much grander scale. Little is revealed about the plot, but the cast including Chris Pine and Zachary Quinto are joined by Idris Elba for this instalment. Star Trek: Beyond hits Uk screens on 22nd July 2016.

X-Men: Apocalypse Poster

X-Men Apocalypse Poster

Following the release of the trailer earlier this week, here is a look at a new poster for X-Men: Apocalypse. After the success of X-Men: Days of Future Past, the franchise returns with villain Apocalypse. The trailer suggests the film marries this new series of films with the older one, by looks at least. X-Men: Apocalypse is released in cinemas in May 2016.

Independence Day: Resurgence Trailer

Here is the first full trailer for sequel Independence Day: Resurgence. The sequel sees Jeff Goldblum, Bill Pullman, Vivica A. Fox and others reprise their roles from the 1996 blockbuster. With director Roland Emmerich returning to the disaster movie fold, Independence Day: Resurgence will hit UK screens in June 2016.

Film Review: San Andreas

SAN ANDREAS

San Andreas is a by-the-numbers disaster movie that entertains as it exasperates. The film should appeal to those more motivated by action than story.

Experts in California are trying to predict earthquakes along the San Andreas Fault. When a catastrophic wave of earthquakes hit, a helicopter rescue pilot is determined to save his estranged wife and daughter…

Director Brad Peyton has produced a formulaic disaster movie with San Andreas. The film features all the familiar genre tropes. San Andreas is highly reminiscent of the films of Roland Emmerich; those familiar with his films will face few surprises here. Meanwhile, a shot of the US flag later in the film would make Michael Bay proud.

The premise of the film suffices as route to the action that follows, even if it lacks originality. The main problem with San Andreas is that the screenplay is woeful. Even the main characters are not really fleshed out, despite a running time of almost two hours. Dialogue in the film ranges from hokey to unintentionally humorous. It is a major detraction from the overall enjoyment of the film. At times, it almost feels as if San Andreas is being intentionally mawkish to generate laughs, but it is clear that the film is not knowing enough to do this.

The traditional disaster movie character types are present in San Andreas, with the all-American hero, scientific expert, children who need saving, and estranged spouse all making an appearance. Although the focus is on only a handful of characters, the screenplay does not do enough to make the audience care about them. Dwayne Johnson is not stretched as pilot Ray, while Paul Giamatti and Hugo Johnstone-Burt are among those given truly awful lines.

Where the film excels is in action and special effects. San Andreas features some excellent set pieces which generate a good level of tension and excitement. The 3D does not appear too gimmicky, and there are some fantastic shots of San Francisco.

For those who value action and effects above all else, San Andreas is just the ticket. Those looking for originality in the story or quality in the screenplay are likely to be disappointed.

Film Review: White House Down

WHITE HOUSE DOWN

Roland Emmerich’s tongue-in-cheek blockbuster is throughly entertaining. White House Down works because of the humour, which cannot be anything but intentional.

John Cale dreams of working for the Secret Service, protecting the President. On the day of his interview, he decides to take his daughter along so that she can go on a tour of the White House. Unbeknownst to Cale, an armed group are ready to overtake 1600 Pennsylvania Avenue…

After the perplexing Anonymous, director Roland Emmerich returns to the kind of film which made his name. Like his last film, there is plenty to laugh at in White House Down. However this time the humour is intentional.

White House Down follows the formula of an action blockbuster. The archetypal characters are present here. Every twist seems to be signposted early. When the reveal comes, it is delivered with a straight face which adds to the overall humour.

The situations that Emmerich’s film showcases are so absurd that it is difficult not too laugh. White House Down plays these up. The film has the requisite action and big set pieces required for this kind of blockbuster. This aspect is executed well.

Despite the outlandishness of some of the action and plot twists, White House Down feels very contemporary in its representation of the political. The overall motivation behind the coup is boiled down to its basics. The fetishisation of President Obama, depicted here from Jamie Foxx’s President Sawyer, sadly does not match the ideological reality.

Performances in White House Down are decent overall. Channing Tatum is a good fit for John Cale. The character is a cross between an experienced soldier and a reluctant hero, and Tatum plays this well. Jamie Foxx is well cast as President Sawyer, whilst Joey King offers a good performance as young Emily.

White House Down is often silly, but always entertaining. A fun popcorn flick.

Film Review: Anonymous

Flick to the cinema section of the Hot Mess dictionary, and there you will find an entry for Anonymous. Roland Emmerich’s hymn to ludicrousness is a camp fiasco.

In Elizabethan London, William Shakespeare is an actor, performing in the plays of others. Edward, Earl of Oxford is a secret playwright, looking for an anonymous way for to make his plays public. Initially recruiting Ben Jonson to act as author, William Shakespeare happily plays the part when Jonson shows reluctance…

The problem with the Anonymous is manifold. Firstly, there is the absurd narrative. While it is not inconceivable that Shakespeare’s works were written by another, the story descends into farce while most of the cast try to keep a straight face. Taking liberties with historical fact, Emmerich has created a Tudor melodrama, with its ever so earnest heroes and comedy villains.

Perhaps the problem is that William Shakespeare is a much loved and respected icon. Making a mockery of the man was always likely to go down badly among sections of the audience. If the film had tried to retain a shred of realism, perhaps it would not have been so offensive. Instead, the film becomes more and more absurd as it progresses.

The character of Shakespeare in the film is unfathomable. To portray him as a bumbling idiot would be one thing. Instead, Emmerich has taken it to a whole other level with Rafe Spall’s Russell Brand impersonation. It seems as if Spall is almost playing for laughs, and makes the film an experiment in high camp.

Performances in Anonymous are generally subpar. Sebastian Armesto, Helen Baxendale, Vanessa Redgrave, Edward Hogg and Rafe Spall all play as if the film was a soap opera. As Earl of Oxford, Rhys Ifans is the only one who appears to be taking things seriously. There is some nice staging but at times locations and sets look terribly artificial. Production values are otherwise fine.

Taken as a serious drama, Anonymous is an awful film. As a farce, Emmerich’s film is rather enjoyable as you anticipate the next comical twist.

Anonymous is being screened at the BFI London Film Festival in October 2011.

The Empire Big Screen Diaries – Day 2

After staying up last night writing my diary entry, I decided to do it throughout the day. We await with baited breath what film distributors Entertainment One have to show us. Clips of The Twilight Saga: Breaking Dawn – Part 1 are rumoured to be screened. Having not seen any of the previous films, this means nothing to be, but I hear the series is pretty popular. Empire editor Chris Hewitt is currently introducing the day on stage. Paul W.S. Anderson is up first introducing The Three Musketeers. The clip was in 3D which was quite exciting, but I think I would prefer a feature-length version of the Dogtanian and the Three Muskerhounds cartoon.

MyAnna Buring has just introduced The Twilight Saga: Breaking Dawn – Part 1 trailer. We are awaiting clips. MyAnna was a massive fan of the series apparently. No clips have been screened after all. [Edit] Twilight footage has been found! First clip is of Edward and Bella on their honeymoon. I think there is some unintentional humour. Edward calls Bella “Mrs Cullen”. Second clip was of the werewolves have a facing off. Now Ghost Rider 2 trailer, which has a very amusing ending.

Warner Bros Showcase up next with Sherlock Homes: A Game of Shadows. Waiting for Guy Ritchie to get his mike fixed. Guy Ritchie just introduced a short featurette on the sequel. The director is talking about how eager he was to make a follow-up to Sherlock Holmes. Jared Harris is fantastic as Moriarty, apparently. An extended clip of Contagion was screened next, along with the trailer for Happy Feet 2. Peter Jackson introduces a video blog from the set of The Hobbit. Cast and crew seem to be having a lot of fun on set. The Dark Knight Rises teaser trailer follows. Nothing new hear, but it is good to see it on the big screen. The Final Destination 5 opening sequence is so much fun, cannot wait to see it!

At this point, I received a verbal bitch-slapping from security for having my laptop out. After several minutes of indecision (and despite the best efforts of the lovely publicists), we had to put our laptops away, hence the delay in updating this post. With all the kerfuffle, I missed the beginning of the Optimum Showcase. Kill List was discussed, after which clips of Don’t Be Afraid of the Dark was screened. It is difficult to ascertain too much, but the film seems incredibly atmospheric.

The Sony Pictures Showcase was next, with a plethora of trailers and clips. First up was Arthur Christmas, with screenwriter Peter Baynham appearing to discuss the film. The film features a stellar cast of mostly British actors voicing the characters. Peter Lord, director of The Pirates! In an Adventure with Scientists was next on stage to talk about making the animated film. The trailer was screened, as well as brief clips of the main characters.

Sony’s packed showcase continued with a series of trailers, beginning with Friends with Benefits introduced with a video message from Justin Timberlake and Mila Kunis. The trailer of the Straw Dogs remake was screened next, as well as Moneyball and The Girl With the Dragon Tattoo. Next up was a clip from 30 Minutes or Less, introduced with a video message from Jesse Eisenberg and Aziz Ansari. Following this Len Wiseman introduced (again via video) some footage of Total Recall, due for release in 2012. The clip was pretty interesting; the fact that it was unfinished suggests how ‘in production’ the film is.

Roland Emmerich took to the stage to talk about his upcoming film Anonymous. Following this brief discussion, a lengthy clip of the film was screened. With phones confiscated and without a watch, I am not really sure how long this clip was. It felt at one point as if we were watching the entire movie, but not from the very beginning. The film is rather a daring take on a much-loved British icon (Shakespeare) so it will be interesting to see how it will be received. Finally, footage from The Amazing Spider-Man was screened, after a video introduction from Marc Webb, Andrew Garfield and Emma Stone. The first clip focused on Peter Parker, while the second featured his nemesis in the new film, The Lizard. The footage certainly worked well to wet the appetite for next year’s release.

The shortest break only allowed me to snack on prawn cocktail crisps in the press room; every restaurant and cafe in the O2 seemed full to the rafters. Dashing back to the Indigo2, the Icon Showcase was brief and to the point, focusing solely on Drive. Nicholas Winding Refn was interviewed on stage about the film. The project was initially introduced to the director by star Ryan Gosling. A clip of the film was screened – it looks amazing. This is one I am really looking forward to.

After the showcases were done for the day, we queued for the Memories of Raiders event. There were many fans trying to get in for this, but my silver-tongued friend managed to gain us entry when the event looked full. Robert Watts, one of the producers of Raiders of the Lost Ark, delighted audience members with his tales of working with Steven Spielberg and George Lucas. What was great about Robert’s discussion was that he was modest as well as entertaining. Despite having worked on some of the biggest films of the late 1970s and 1980s, he remained down to earth when talking about the films.

We languished in the corridor outside after the talk, trying to ascertain the possibility of getting into the secret screening. Alas, it was not to be, and a group of us ended up going to The Change-Up screening instead. The film was watchable but not overly exciting (review to follow).

After a long long day, we decided to go for a quick drink. On our way to one of the bars in the O2, we noticed that everyone seemed to be dressed in white. Rather than a hoodless Klan meeting, it was for some dance event being held there. Unperturbed, we had a drink before deciding that our bodies required some much needed nourishment. Armadillo was our next port of call, where we had chicken skewers and bacon and cheese toasted sandwiches. I also got a chocolate milkshake served in a pint bottle, but for the first time in my life I couldn’t finish a milkshake. This lead me to reevaluate my life for a quick minute. Thus, the day was ended.

Film Review: Battle: Los Angeles

As an two-hour long advertisement for the US marines, Battle: Los Angeles is excellent. As a feature film, not so much.

Veteran marine Michael Nantz is ready to retire after a long and distinguished career. The day after he makes his intentions clear, major cities around the world come under attack from an unknown entity. Squad sergeant Nantz and his team must battle against the alien attackers to save Los Angeles…

Jonathan Liebesman’s Battle: Los Angeles features all of the standard conventions of an apocalyptic/alien attack movie. There is little innovation in any aspect of the film. The pacing is uneven; there are several false endings and the film lasts longer than it should. Although the movie centres on an alien attack, little is revealed about the extraterrestrials. Instead, Battle: Los Angeles concentrates on the near relentless action.

Writer Chris Bertolini injects his script with all the usual clichés. At its worse, the film is an embarrassment of cringe-worthy dialogue. Nantz’s speeches to his men are riddled with the overblown sentiment of a Michael Bay film. Likewise, while Bertolini strives for heartfelt with the confabulating of Hector’s father Joe, the result is more nauseating than anything else.

The characters in Battle: Los Angles fulfill the usual archetypes for the style of film. Nantz is at first the reluctant hero, coming into his stride as the film progresses. He is the all-American hero; putting the lives of his team before his own, and saving the civilians at any cost. Within his team, none of the characters particularly stand out. Lockett is the familiar good guy with a chip on his shoulder, while Santos is the token female.

Special effects are pretty decent, although there is minimal detailed footage of the alien invaders. The sound is bombastic; with all the explosions, gunfire and helicopter sounds, there is barely a moment’s peace in Battle: Los Angeles. Camera work combines the rough, hand-held style of Cloverfield with the veneer of a Roland Emmerich movie.

Aaron Eckhart is a talented actor, so it is a mystery as to why he plumped for this script. Elsewhere, performances are fine overall; it is the dialogue rather than the delivery that is the problem. Michelle Rodriguez plays her usual tough girl role, while Ne-Yo’s foray into movies is not much of a test.

The stock heroics, familiar perilous situations, and the little children to rescue are all present in the film. The only thing missing is the dog. Audiences may be better off re-watching Independence Day or any of its ilk as Battle: Los Angeles offers nothing new.

Film Review: Skyline

At a certain point in Skyline, how soon depends on your patience, you will wish the protagonists would just succumb to their fate so this awful film will end. The special effects are decent, but sadly little else is.

Elaine and Jarrod are awoken by strange bright lights shining into the Los Angeles penthouse apartment. People are drawn to these lights, created by an alien presence. The couple and their friends must fight for survival as the human population is being decimated…

Skyline is a mess in all departments, bar the visual effects. Perhaps this is not surprising considering the directors, Colin and Greg Strause, are visual effects veterans (having only previously directed AVPR: Alien vs Predator – Requiem) and it is the first script from both Liam O’Donnell and Joshua Cordes, again with backgrounds in effects. The film was financed independently by the Strause brothers, rather than funded by a major studio. Whilst their independence is admirable, perhaps major studio executives may have spotted what a disaster the film is in time to salvage it.

Skyline is a by-number disaster picture that owes a debt to Roland Emmerich’s Independence Day. Unlike the 1996 film, however, Skyline lacks the pacing and momentum to make it an enjoyable movie. Following the initial attack, subsequent significant events are minimal. The story drags, failing to give viewers any indication of when a climax will arise.

The very ending of the film is quite bizarre, showing a slither of originality hitherto unseen. What precedes is stock disaster movie scenarios; aborted attempts at escape, close brushes with danger and the extermination of survivors all feature in Skyline.

Nevertheless, perhaps the most deplorable aspect of the film is the awful dialogue and acting. Some may find it amusing how poor this is, however it quickly grows tiresome. The dialogue is hackneyed; its sub-standard quality is exemplified by the terrible delivery from most of the cast members.

A flashback sequences at the beginning of the film, which gives some background to the protagonists, attempts to elicit from the audience some concern for these characters later down the line. This fails miserably, as the one-dimensional characters are difficult to engage with. Scottie Thompson and David Zayas, in particular, are entirely unconvincing in their delivery of lines, while it doesn’t seem that Eric Balfour attempts to display emotion.

The special effects appear convincing; with Skyline‘s modest budget being used well in this regard. Michael Watson’s cinematography is also one of the few positives of the movie. Sadly, these are not enough to keep the film afloat.

Skyline seems to be the result of what happens when a group of visual effects designers, with little other experience, decide they also have the prowess to write and direct a feature. Instead of just showing the film within their social circle, Skyline has been granted a wide release. It really should not have been.