Film Highlights of the Decade 2010-2019

As the decade reaches its close, I take a look back at some of my favourite film trends and cinematic highlights from the last ten years…

The New Breed of Unmissable Directors

This decade has seen the emergence of a new breed of directors delivering must-see films. Leading the pack in Hollywood are Damien Chazelle and Barry Jenkins. Chazelle has delivered one of the decade’s best pictures with Whiplash, and two other fantastic films (La La Land and First Man). Meanwhile Jenkins gifted us two beautiful, nuanced pictures with Moonlight and If Beale Street Could Talk. Jennifer Kent has also created two different but powerful movies (The Babadook and The Nightingale), making her mark.

Other impressive directors who have emerged this decade include Ryan Coogler (Fruitvale Station, Creed), Robert Eggers (The Witch, The Lighthouse), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Justin Simien (Dear White People), and Julia Ducournau (Raw) also offered impressive debut features.

Excellent Late Franchise Entries

It really has been a decade of remakes, reboots, and belated sequels. Whilst many of these have been passable or forgettable, a couple of late franchise instalments have really stood out. George Miller bucked the trend to deliver one of the best films of this decade with Mad Max: Fury Road. The exhilarating fourth chapter in the franchise was breathtaking. Director Christopher McQuarrie re-teamed with Tom Cruise for the sixth Mission: Impossible film, and produced the best of the franchise and one of the best action films of the decade with Mission: Impossible – Fallout. Elsewhere director Steven Quale revived the tired Final Destination franchise with the very entertaining final chapter Final Destination 5.

Career Resurgences

This decade has seen a notable uptick in the careers of certain veteran actors. After a fairly quiet previous ten years, Laura Dern’s resurgence has been most rewarding to watch. This decade has seen the actress in an array of film roles including The Master, Certain Women, Marriage Story, and the upcoming Little Women. She has also been memorable on television in Twin Peaks and Big Little Lies. Michael Keaton has also had a belter of a decade, after a fairly unremarkable 2000s. He had major roles in Spotlight, The Founder, and Spider-Man: Homecoming (living long enough to become the villain), and was nominated for an Oscar for his brilliant turn in Birdman. Regina King has always delivered solid performances since her debut in Boyz n the Hood. It is only in the last few years that she has finally received the praise and calibre of roles she deserves, winning an Oscar for her role in If Beale Street Could Talk and playing the lead in the critically acclaimed show Watchmen.

Paddington Bear

In a bleak decade politically, Paddington Bear has been the hero we needed. Paul King’s Paddington and Paddington 2 have been a salve against the cruelties of this decade. A lead who is decent and kind (not to mention incredibly cute) has cut through the cynicism of the current world. The films were very entertaining, and a wonderful escape from current affairs. Paddington 2 in particular was very memorable and enchanting, with Hugh Grant on top form.

Christopher Nolan

If the decade had to belong to a single director, in terms of both critical acclaim and box office receipts, then that filmmaker would be Christopher Nolan. No one has been able to create original tentpole blockbusters in the way he has this decade. Nolan began the decade on top form with the action-thriller Inception, one of the biggest films of the year. He followed this with the final chapter of the Dark Knight trilogy, The Dark Knight Rises. The film is just about the most hopeful blockbuster of the decade, reaching a peak of exhilaration that is difficult to match. Interstellar and the truly superb Dunkirk exhibited Nolan’s comfort in a range of genres. With the upcoming Tenet, Christopher Nolan’s films are always hotly anticipated.

Park Chan-wook and Chung Chung-hoon’s Continuing Collaboration

Director Park Chan-wook and cinematographer Chung Chung-hoon collaboration began in the 2000s, working on three films together (Oldboy, Lady Vengeance, and Thirst). The fact that their partnership continued into this decade is a benefit to us all. With Stoker and The Handmaiden, Park and Chung delivered two of the decade’s handsomest pictures. The photography, the mise en scène, and the style are truly beautiful.

Trent Reznor Film Scores

After composing pieces for films earlier in his career (including for David Lynch’s Lost Highway), the 2010s was when Trent Reznor’s career as a composer really took off. His collaborations with Atticus Ross have been a highlight of cinema this decade. Highlights include the partnership with David Fincher (which netted Reznor an Oscar for The Social Network), as well as Mid90s and the recent Waves. Reznor and Ross also created the superlative score for the show Watchmen.

Directorial Debuts By Actors

This decade has seen some brilliant directorial debuts from well-known actors. These actors have proven their talents extend to behind the camera Highlights from this trend include Greta Gerwig’s wonderful Ladybird (Gerwig co-directed Nights and Weekends, but Ladybird was her first solo effort), and Jordan Peele’s fantastic Get Out. Other notable debuts include Chris Morris’ Four Lions, Olivia Wilde’s Booksmart, Joel Edgerton’s The Gift, Bradley Cooper’s A Star is Born, and Brie Larson’s Unicorn Store.

LFF 2019 Highlights Part 1

It is about half way through this year’s BFI London Film Festival, and some wonderful films have been shown so far. Here are some LFF 2019 highlights from the first week…

LFF 2019 Highlights – Unmissable

The Last Black Man in San Francisco

Joe Talbot’s The Last Black Man in San Francisco is a funny, moving, thought-provoking, and outstanding debut. The film is an embarrassment of riches, boasting a wonderful script, strong direction, great performances, and thematic density.  READ MORE

Marriage Story

Noah Baumbach’s Marriage Story is a top-drawer drama with outstanding performances from its leads. The film is heart-wrenching, observant, and very real. With Marriage Story, Baumbach once again proves to be a shrewd observer of the human condition.  READ MORE

LFF 2019 Highlights – Best of the Rest

The Lighthouse

With his nightmarish thriller The Lighthouse, Robert Eggers proves The Witch was no fluke. The Lighthouse is a downward spiral, with a jagged, disorientating descent. READ MORE

The Report

The Report is topical, engaging, and necessary viewing. A story about the compilation and attempted publication of a lengthy report could be considered quite a dry subject matter. Nevertheless, in writer and director Scott Z. Burns’ capable hands, The Report is always interesting, occasionally tense, and at times engrossing.  READ MORE

Saint Maud

Writer-director Rose Glass’ Saint Maud is a unnerving and intense gothic thriller. The filmmaker has delivered an atmospheric and striking debut. The backdrop provides the perfect setting for this exploration of psyche, religious fervour, and obsession. READ MORE

The Personal History of David Copperfield

Armando Iannucci’s The Personal History of David Copperfield is a love letter to storytelling. The film is endearing and entertaining. A warm, amusing, and enjoyable adaptation. READ MORE

The Prince’s Voyage

Jean-François Laguionie and Xavier Picard’s The Prince’s Voyage (Le Voyage Du Prince) is an enchanting animated tale. With its bittersweet ending, the film doesn’t pander to its audience. READ MORE

The BFI London Film Festival runs from 2nd-13th October 2019. See the full programme here.

Film Review: The Lighthouse

With his nightmarish thriller The Lighthouse, Robert Eggers proves The Witch was no fluke. 

A new lighthouse keeper and a cantankerous veteran arrive on a small island for a four-week shift. As time goes by, the isolation gets to both of them…

Filmed in black and white in Movietone aspect ratio, it is clear from the beginning that The Lighthouse is no run-of-the-mill film. Director and co-writer Robert Eggers explores isolation and mania in a loose narrative structure. The film has an immediately unnerving atmosphere. 

The first line of dialogue does not occur until several minutes into the film. Instead, Eggers builds a strong picture of the setting and the two figures which the film revolves around. Throughout the film there are long periods of no dialogue, interspersed with lengthy conversation scenes. This works to provide a rhythm of the characters’ existence and heightens the idea that it is just the two of them inhabiting the vast landscape. The dialogue (written by Eggers and co-writer Max Eggers) has an otherworldly feel. At one point, Wake delivers a Shakespearean-style monologue.

The longer the film goes on, the more disorientating things become. Both characters seem to lose any sense of time, and Eggers attempts to replicate this with the viewer’s experience. The Lighthouse is a downward spiral, with a jagged, disorientating descent. Eggers obfuscates several elements, making it so the viewer cannot trust the view of either character, or indeed the authenticity of what we are shown. It is unclear exactly where and when the mania will cease, but from the very beginning viewers will know this will not end well.

Cinematography in The Lighthouse is wonderful. Jarin Blaschke uses light and shadow incredibly effectively. The chiaroscuro of the lighthouse beam inside the building is beautiful. Eggers direction is great. There a some deft movements. Eggers depicts the dominance of each character at different times with his choice of angle. The sound design in the film is absolutely fantastic. From the very beginning, the sound sets the scene, with the unnerving reputation of the horn. Mark Korven’s score is restrained in its use, which makes it all the more effective.

Robert Pattinson offers a sturdy performance in this two-hander. He vey effectively conveys his character’s descent, yet wisely does not attempt to meet Dafoe’s power. The film is better for it. Willem Dafoe is authoritative and encompassing, yet not without humour.

Robert Eggers’ sophomore picture once again illustrates his prowess in creating unworldly and disconcerting atmospherics. The Lighthouse is a heady, unsettling yarn.

The Lighthouse is being screened at the BFI London Film Festival in October 2019.

BFI London Film Festival 2019 Launch

This morning saw the launch of the BFI London Film Festival 2019. In its 63rd year, the festival is screening 229 feature films, including 28 world premieres. Here are some highlights from the festival programme…

Headline Galas

The opening and closing films for the BFI London Film Festival 2019 had already been announced. The festival opens with the European premiere of Armando Iannucci’s The Personal History of David Copperfield. An adaptation of the Dickens’ classic, the film stars Dev Patel, Tilda Swinton, and Hugh Laurie. Martin Scorsese‘s hotly-anticipated The Irishman closes the festival. There is an embarrassment of riches among the other headline galas, including Rian Johnson’s Knives Out, Marielle Heller’s (Can You Ever Forgive Me?) A Beautiful Day in the Neighbourhood, and Michael Winterbottom’s Greed, starring Steve Coogan and Isla Fisher.

Strand Galas and Special Presentations

This year, films screening as part of the Strand Galas include Robert Eggers’ (The Witch) The Lighthouse, starring Willem Dafoe and Robert Pattinson. The Dare Gala is Mirrah Folks’ debut feature Judy & Punch, a fairy tale starring Mia Wasikowska. Among the Special Presentations are Takashi Miike’s First Love, and Bombay Rose, a hand-drawn animated feature from Gitanjali Rao.

Official Competition

Among the ten features in Official Competition at the London Film Festival 2019 are Haifaa Al-Mansour’s (Wadjda) The Perfect Candidate, about a young doctor who challenges Saudi Arabia’s strict social codes. Thomas Clay’s Fanny Lye Deliver’d stars Maxine Peake and Charles Dance, and is about a woman living with her puritanical husband in 17th century Shropshire. The Documentary Competition features Rubika Shah’s White Riot, about the Rock Against Racism movement, and Lauren Greenfield The Kingmaker, which focuses on Imelda Marcos. The First Feature Competition includes Joe Talbot’s The Last Black Man in San Francisco and Shannon Murphy’s Babyteeth, a drama starring Eliza Scanlon and Ben Mendelsohn.

Strands

The eleven thematic programme strands are back once more at the London Film Festival 2019. The Love strand includes La Belle Époque, Nicolas Bedos’ drama about an illustrator who uses technology to replay the past, and Ga-young Jeong’s Heart. The Debate strand is particularly strong this year with Citizen K (Alex Gibney‘s documentary on Mikhail Khodorkovsky), Chinonye Chukwu’s Sundance winner Clemency, Terrence Malick’s A Hidden Life, and Scott Z Burns’ The Report, starring Adam Driver. Comedies in the Laugh strand includes Billie Piper’s directorial debut Rare Beasts, whilst Wash Westmoreland’s Earthquake Bird in the Thrill strand stars Alicia Vikander in an 1980s Tokyo-set thriller. Cannes winner The Invisible Life of Eurídice Gusmão is among the films in the Journey category.

The Dare strand features animated coming-of-age tale I Lost My Body and Václav Marhoul’s The Painted Bird, about a Jewish boy on a journey home during wartime. The Cult strand includes Veronika Franz and Severin Fiala’s The Lodge and Lorcan Finnegan’s Vivarium, with Jesse Eisenberg and Imogen Poots. Also in this category is Richard Stanley’s Color Out of Space, a HP Lovecraft adaptation starring Nicolas Cage and Joely Richardson. The Experimenta strand includes Brad Butler and Noorafshan Mizra’s Ruptures, whilst Create includes Midge Costin’s documentary Making Waves: The Art of Cinematic Sound. Two highlights of the Family strand are Edmunds Jansons’ Jacob, Mimmi and the Talking Dogs and Lorenzo Mattotti’s The Bears’ Famous Invasion. Finally, classics that are showing as part of the Treasures programme include David Lynch’s The Elephant Man and Roger Corman’s The Masque of the Red Death, starring Vincent Price.

The BFI London Film Festival 2019 runs from 2nd-13th October. The full programme can be viewed here.

Film Review: The Witch

The Witch

Robert Eggers’ The Witch is an atmospheric and unnerving horror. It is a finely crafted film that is sure to unsettle its audience.

A family in 1630s New England move from a settlement to their own space after their views conflict with those of the community. When their newborn son vanishes, the family begins to suspect daughter Thomasin is at fault. Fears grow with additional strange occurrences…

The Witch employs period folktale to craft its narrative of suspicion and fear in seventeenth-century New England. Writer-director Robert Eggers uses the audience’s knowledge of that period’s superstition and anxiety about witchcraft in his crafting of the film. The film does not need a lot of exposition to build a picture of fears at the time; this is evident through the fervent religion that the protagonists practice. Eggers uses this premise to wreak fear and distrust as the film progresses.

Utilising folklore from the period, Robert Eggers creates a striking spectre. There is much in the film that is derived from base symbolism. The Witch shows viewers the antagonist early on in proceedings. Despite this, there is still a sense of mystery that is retained until the film’s climax. To a certain extent, the antagonist is something of a red herring, as the family’s internal turmoil takes centre stage. This inward-looking approach makes the film a more satisfying watch.

The Witch is very much about the fear of womanhood, as expressed by Thomasin and the attitudes towards her. In this way, the film reflects the era it is set in. There is a sense of witchcraft being an allegory for female puberty, yet the film does not get to hung up on this. Performances in the film are great. Anya Taylor-Joy offers a strong performance as Thomasin, as do Ralph Ineson and Kate Dickie. Harvey Scrimshaw is believable throughout as Caleb.

The setting of The Witch is fantastic. There is a real air of isolation which adds to the atmosphere. The woods are depicted as foreboding, and for good reason. Fear is generated in a tempered but effective manner. There is a bit of a slow build, but this works well to generate later tension. The sound design is great; it goes a long way in setting the scene.

The Witch is a genuinely unnerving watch. This wonderful directorial debut from Eggers will have viewers keen to see what he does next.

Previews: Pete’s Dragon Trailer, The Witch and more!

Lots to see in this week’s preview of coming attractions, including the new Pete’s Dragon trailer, a featurette on The Witch, and more…

Pete’s Dragon Trailer

Here is the new Pete’s Dragon trailer. The film is a remake of the 1977 live action-animation adventure. Starring Robert Redford and Bryce Dallas Howard, the film is an interesting next feature from Ain’t Them Bodies Saints helmer David Lowery. Pete’s Dragon hits UK cinemas on 12th August 2016.

The Witch Featurette

The Witch looks like a genuinely unsettling film. In this featurette, writer-director Robert Eggers speaks about creating a New England horror story. Viewers will be familiar with the setting from films such as The Crucible; it will be interesting to see what Eggers does with this. The Witch is released on UK screens on 11th March 2016.

The Hunstman: Winter’s War Poster

The Huntsman Winter's War Poster

It appears that Snow White and the Huntsman prequel The Hunstman: Winter’s War will have the same visual flair. The film sees the return of Charlize Theron and Chris Hemsworth, who are joined by Emily Blunt and Jessica Chastain. The Huntsman: Winter’s War is out in UK cinemas on 4th April 2016.

Batman V Superman: Dawn of Justice Trailer

This is the final trailer for Batman V Superman: Dawn of Justice. Zack Snyder’s highly anticipated film sees the return of the Man of Steel cast, plus a host of other DC characters. Ben Affleck is this incarnation’s Batman; it will be interesting to see how he fairs against previous portrayals of the iconic character. Batman V Superman: Dawn of Justice hits UK screens on 25th March 2016.

Zootropolis Trailer

Well this looks enchanting. Zootropolis is the latest animated feature from Disney. The film is about a police officer bunny who teams up with a scam artist fox to solve a case. If this isn’t enough to convince you (which, frankly, it should be), the film features the voices of Ginnifer Goodwin, Jason Bateman and Idris Elba. Zootropolis releases in UK cinemas on 25th March 2016.

London Film Festival 2015 Preview

The BFI London Film Festival 2015 commences this Wednesday, with a total of 238 fiction and documentary features being screened, including 16 World Premieres, 8 International Premieres, 40 European Premieres and 11 Archive films. The festival opens with the European premiere of Suffragette, starring Meryl Streep and Carey Mulligan. Here are some of the films to catch at the London Film Festival 2015…

Trumbo

TRUMBO

Bryan Cranston plays Dalton Trumbo, the Hollywood screenwriter who was blacklisted after refusing to testify in the House Committee on Un-American Activities in 1947. A must-see for fans of films about the film industry, Trumbo is a biopic set in Hollywood’s Golden Age. The film also stars Diane Lane, Helen Mirren and Louis C.K.

The Witch

Taking place in a pre-Salem Witch Trials New England, The Witch is about a family who believe a supernatural force is at work. The Witch is the first feature directed by Robert Eggers, who won the Directing Award at the Sundance Film Festival in January this year. The film is nominated for the Sutherland Award for first feature at the London Film Festival 2015.

Beasts of No Nation

BEASTS OF NO NATION

Netflix’s foray into film distribution comes in the form of the powerful Beasts of No Nation. The film is directed by Cary Fukunaga, based on his screenplay about a young boy who is forced to join a group of soldiers in Africa. Starring Idris Elba, the film received critical acclaim at the Venice Film Festival earlier this year.

Steve Jobs

The London Film Festival 2015 hosts the European premiere of Steve Jobs as its closing gala. Based behind the scenes at three product launches, the film has envious credentials. Directed by Danny Boyle and scripted by Aaron Sorkin, the film stars Michael Fassbender, Kate Winslet and Seth Rogen.

The BFI London Film Festival 2015 takes place between 7th-18th October. For full listings and more information, see here.