Hunky Dory is a sweet-natured film; a nostalgic nod to the 1970s. It is an enjoyable enough watch, but is unlikely to have any lasting effect.
Vivienne is a high school teacher in 1970s Wales. Unlike some of her colleagues, she hopes that the teenagers she teaches are able to express themselves. Organising the end of term play, a musical version of The Tempest, Vivienne must contend with disapproving colleagues, rowing teens, high school crushes and an unpredictable headmaster…
Hunky Dory focuses on Vivienne and her relationship with the students. There are a number of strands present in Marc Evans’ film, some of which are more developed than others. The film retains the audience’s attention because of the sense of unpredictability. It is not easy to see what direction the film will actually take especially with Davey’s strand. The story concentrating on Angus flits in and out of the overarching narrative, without enough time or development to make it worthwhile. Other strands fair better, offering characters and issues that appear realistic.
Music plays an important role in Hunky Dory. No doubt many viewers who remember the period will find the songs featured reminiscent. The soundtrack conveys the era very well; at no time during the film does it feel unlike the 1970s. The performance of the show shifts back and forth in terms of focus, just as it should.
Hunky Dory features a strong central performance from Minnie Driver. The film is just the right length; a light comedy drama that fans of 1970s music should check out.
Hunky Dory was screened at the BFI London Film Festival in October 2011.