Preview of Coming Attractions: Films in 2019

With an abundance of movie releases slated for next year, it can be hard to identify the gems. After all, there is a glut of Disney live-action remakes (Dumbo, Aladdin, The Lion King), as well as the straight up unappealing (Downton Abbey film, anyone). Here are some must-see films in 2019…

The Favourite

Begin the New Year with Yorgos Lanthimos’ brilliant The Favourite. Starring Olivia Colman, Rachel Weisz, and Emma Stone, the film is Lanthimos’ most enjoyable to date. Boasting a superb script and wonderful performances, The Favourite is hilarious, consuming, and at times touching. Read full review here.

The Favourite will be released in UK cinemas on 1st January 2019.

If Beale Street Could Talk

Director Barry Jenkins has done it again with the powerful and beguiling If Beale Street Could Talk. There is so much to be in awe of in If Beale Street Could Talk. Jenkins’ attention to detail is superb. His storytelling is absolutely enchanting. Read full review here.

If Beale Street Could Talk will be released in UK cinemas on 8th February 2019.

The Lady Eve

Not a new release for the upcoming year, nevertheless the 1941 classic gets a re-release in 2019. Directed by Preston Sturges and starring Barbara Stanwyck and Henry Fonda, the screwball comedy stands the test of time. For first time viewers, The Lady Eve will be one of the best films in 2019.

The Lady Eve will be released at the BFI Southbank and at selected cinemas nationwide from 15th February 2019. It will be screened as part of the Barbara Stanwyck season in February 2019. For more details see here.

Us

Jordan Peele’s Us is one of the most anticipated films in 2019. Following the success of 2017’s Get Out, director and writer Peele returns with another striking-looking horror. Starring Lupita Nyong’o, Winston Duke, and Elisabeth Moss, the film is about a family trip that takes a dark turn.

Us will be released in UK cinemas on 15th March 2019.

Once Upon a Time in Hollywood

Quentin Tarantino’s latest film has the potential to be explosive. Once Upon a Time in Hollywood is set during the Manson Family reign of terror, focusing on a television star and his stunt double. With a cast that includes Leonardo DiCaprio, Brad Pitt, Margot Robbie, and Al Pacino, Once Upon a Time in Hollywood is sure to get people talking.

Once Upon a Time in Hollywood will be released in UK cinemas on 26th July 2019.

The Irishman

Martin Scorsese’s latest project is a thrilling proposition. Focusing on a mob hitman and his possible involvement in the slaying of Jimmy Hoffa, the film sees Scorsese reunite with Robert De Niro, Joe Pesci, Harvey Keitel, and a host of Boardwalk Empire stars (Stephen Graham, Bobby Cannavale, Jack Huston). The Irishman also sees Scorsese direct Al Pacino for the first time. The film is expected to have a cinema release as well as being available to stream on Netflix.

Sunset

László Nemes’ Sunset is a captivating watch. The director’s sophomore feature (after Son of Saul) is an entrancing mystery drama. Part of the film’s beauty is that it maintains this mystery throughout the duration. Set in the Austro-Hungarian Empire at the eve of World War I, Sunset‘s sense of unease is enthralling. The film is set to be released in early 2019.

The Nightingale

After the success of 2014’s The Babadook, all eyes are on director Jennifer Kent for her next picture. The Nightingale is about a young Irish convict woman who chases a British officer through the rugged Tasmanian wilderness in the early nineteenth century. Starring Sam Claflin and Aisling Franciosi, the film premiered at Venice Film Festival and is due to be released in 2019.

Greed

Michael Winterbottom’s Greed is sure to be a lot of fun. The satire is about a fictional retail billionaire and the build up to his star-studded 60th birthday party on a Greek island. Greed stars Steve Coogan, Isla Fisher, and David Mitchell. Although the protagonist is fictional, the parallels are all too clear. Greed is due to be released in UK cinemas in late 2019.

Sequels

Like 2018, next year will see many sequels. Here are some of the more anticipated follow-up films in 2019. 2014’s The LEGO Movie gets a sequel, with the main voice cast returning, as well as Phil Lord and Chris Miller as producers. The LEGO Movie 2 will be released in UK cinemas on 8th February 2019.

Later in the year, Avengers: Endgame sees the finale of the cycle of the Marvel Cinematic Universe which began with 2008’s Iron Man. The film will hit UK screens on 26th April 2019.  Spider-Man: Far From Home is the sequel to 2017’s superb Spider-Man: Homecoming. Jake Gyllenhaal joins the returning cast for Spider-Man: Far From Home, which will be released on 5th July 2019. Later this year, Zombieland gets a belated sequel. The original cast return for Zombieland 2, which will be released in UK cinemas on 11th October 2019.

LFF 2018 Highlights Part 2

With another BFI London Film Festival reaching its conclusion tonight, there have been some fantastic films this year. The best films of the first week of the festival can be viewed here. Below are some LFF 2018 highlights from the second half of the festival…

LFF 2018 highlights – Unmissable

If Beale Street Could Talk

Barry Jenkins has created one of the best films of the year with the beguiling If Beale Street Could Talk. The film is powerful viewing. Despite the age of the source material, If Beale Street Could Talk is incredibly resonant today. READ MORE

The Favourite

Yorgos Lanthimos hits the target once more with the brilliant The Favourite. The film is Lanthimos’ most enjoyable to date. The Favourite is a world away from other period romps. The film is hilarious, consuming, and at times touching. READ MORE

Sunset

László Nemes’ Sunset is a captivating watch. The director’s sophomore feature is an entrancing mystery drama.  Part of the film’s beauty is that it maintains this mystery throughout the duration. Coupled with this ambiguity is a constant sense of unease. READ MORE

LFF 2018 Highlights – The Best Of The Rest

United Skates

Dyana Winkler and Tina Brown’s United Skates is a thoroughly entertaining documentary. The film is a very impressive debut from the directors. What the filmmakers do is tell a story incredibly well; generating interest, emotion and occasionally amusement. READ MORE

The Sisters Brothers

Jacques Audiard’s The Sisters Brothers is a reflective western. By subverting some of the genre tropes, Audiard has created an interesting addition to the field. The tonal shifts that occur during the film are never jarring, but instead enhance the overall picture. READ MORE

Suspiria

Luca Guadagnino’s remake of Suspiria is a sway which builds to a cacophony. It is quite the cinematic experience. The film relies on an understated fear rather than going for the jugular. It is hard not to get caught up in the film’s turbulent rhythm. READ MORE

Can You Ever Forgive Me?

Marielle Heller’s Can You Ever Forgive Me? is an enjoyable comedy drama. The film is often funny, and at times moving.  Dialogue is superb, as are the contents of some of the forged letters. READ MORE

The Breaker Upperers

Jackie van Beek and Madeleine Sami’s comedy The Breaker Upperers is a sprightly and amiable affair. The first third is brilliant; the film establishes the main characters swiftly, and there are a lot of laughs to be had. READ MORE

The BFI London Film Festival ran from 10th-21st October 2018.

Film Review: Sunset

László Nemes’ Sunset is a captivating watch. The director’s sophomore feature is an entrancing mystery drama.

In 1913, the eve of World War I, the Austro-Hungarian Empire is nearing its end. Írisz Leiter  returns to Budapest, hoping to secure a job a the hat shop which was established by her parents…

Directed and co-written by Nemes (with Clara Royer and Matthieu Taponier), Sunset is a brooding mystery. Part of the film’s beauty is that it maintains this mystery throughout the duration. Coupled with this ambiguity is a constant sense of unease. The two go hand in hand; for a significant portion it is unclear what this dread concerns. This unease can be linked to the film’s wider setting; an allegory for the declining empire and a Europe on the cusp of war.

Nemes drip feeds information in Sunset. This is a very effective device, as it keeps viewers guessing. The viewer follows Írisz throughout, knowing as much as she knows. The initial hostility towards her is intriguing, pointing only to a dark family history. Nemes does not need to spell everything out through laboured exposition. Instead, elements are revealed through an expression, and overheard conversation, a snippet of detail.  

Írisz is a compelling protagonist because of everything that is going on around her. She is a blank canvas, coming to Budapest to work in the shop her parents owned. As the film progresses, there remains a sense of mystery around her. The film returns to the idea of a genetic evil. It seems as if Írisz has two choices; she’s herself is unclear of the path she should take. Nemes explores themes of power and privilege with Sunset. This is conveyed through the royalty element of the narrative, but also with the restrictions placed upon the protagonist. The restraints of the era are made clear by Nemes. 

Sunset is an aesthetically pleasing film as well. Nemes and cinematographer Mátyás Erdléy have created a distinctive, sepia-tinged look. The lighting plays heavily into this, as does the framing. Írisz is frequently framed in a doorway or behind a curtain, giving the sense of a character who is removed and trying to break through. Juli Jakab is bewitching as Írisz. The casting is on point, with many of the players having a distinctive look.

After the critically acclaimed Son of Saul, many may have been concerned that Nemes’ follow up would not compare. Sunset allays these fears entirely. An excellent picture. 

Sunset is being screened at the BFI London Film Festival in October 2018.

BFI London Film Festival 2018 Launch

Today saw the BFI London Film Festival 2018 launch. Now in its 62nd year, the festival is screening 225 feature films, including 21 world premieres. Here are some highlights from the festival programme…

Headline Galas

The Opening and Closing Gala films had already been announced. The BFI London Film Festival 2018 opens with Steve McQueen’s hotly anticipated Widows, starring Viola Davis, Michelle Rodriguez, and Colin Farrell. McQueen co-wrote the  screenplay with Gillian Flynn. McQueen’s last film, 12 Years A Slave, screened at the 2013 London Film Festival to great acclaim. Stan & Ollie, which features John C. Reilly and Steve Coogan as the legendary comedy duo, closes the festival. Other headline galas include Luca Guadagnino’s hotly anticipated Suspiria, Jason Reitman’s The Front Runner, and Marielle Heller’s Can You Ever Forgive Me?. A particular highlight is Yorgos Lanthimos’ latest. The Favourite is about Queen Anne’s court, and stars Olivia Colman, Rachel Weiss, and Emma Stone. 

Strand Galas and Special Presentations

There are several great looking films in the Strand Galas and Special Presentation programmes. They include Barry Jenkins’ follow up to Moonlight, If Beale Street Could Talk, which is an adaption of James Baldwin’s novel. Others in this category include Lee Chang-dong’s thriller Burning, and Alfonso Caurón’s first film since Gravity, Roma, and Terry Gilliam’s The Man Who Killed Don Quixote. Special Presentations include Michael Moore’s Donald Trump documentary Fahrenheit 11/9, Carol Morley’s noir thriller Out of Blue, and George Tillman Jr.’s The Hate U Give. 

Official Competition

There are some big names in this year’s Official Competition. Films include David Lowery’s (A Ghost Story) The Old Man & The Gun starring Robert Redford, László Nemes’ (Son of Saul) Sunset, and Ben Wheatley’s Happy New Year, Colin Burstead – Wheatley’s Free Fire closed the 2016 festival. Also competing is Karyn Kusama’s Destroyer, starring Nicole Kidman. Meanwhile the Documentary Competition features Putin’s Witness (Svideteli Putina’s film featuring footage of Putin from 1999-2000) and Julien Faraut’s John McEnroe: In The Realm Of Perfection. First Feature Competition includes Isabella Eklöf’s Holiday and Paul Dano’s Wildlife. 

Strands

As in previous years, the eleven programme strands are back. Love features Fred Rogers documentary Won’t You Be My Neighbor?, and the Sandra Hüller starring In The Aisles. Debate includes Oliver Assayas’ latest, Non-Fiction, starring Juliette Binoche and Guillaume Canet, and Catherine Corsini’s An Impossible Love. Laugh includes New Zealand comedy The Breaker Uppers, about two women running a relationship break-up service. Amongst the Dare programme is The Green Fog, which sees filmmakers Guy Maddin and Evan and Galen Johnson remake Vertigo using clips from other people’s films. Thrill includes Kim Nguyen’s The Hummingbird Project (starring Jesse Eisenberg and Alexander Skarsgård), while Cult features Nicolas Cage in Panos Cosmatos’ Mandy. 

Jessica Hynes directorial debut The Fight is part of the Journey strand, and Create includes Joan Jett documentary Bad Reputation. Richard Squires’ Doozy, which recreates the career of Hanna-Barbera’s villain actor Paul Lynde is one of the Experimenta films being screened. The Family strand features Linda Hambäck’s animated detective tale Gordon & Paddy. Finally, there are some great films being screened as part of the Treasures strand. These include Billy Wilder’s classic Some Like It Hot and Mae West in My Little Chickadee.

The BFI London Film Festival 2018 runs from 10th-21st October. The full programme can be viewed here.