Not everything is quite what it seems in The Drop. Nevertheless, the film is an engaging watch.
Bartender Bob Saginowski finds himself at the centre of a robbery of his cousin’s bar. Things get more complicated as the bar is used for a ‘money drop’; a way of funneling money to gangsters…
Based on Dennis Lehane’s short story, director Michaël R. Roskam’s The Drop is an intriguing character study. The sense of ambivalence offered by the film is certainly a selling point. The narrative could head off in a number of directions; the premise of the film is open enough for this to be a possibility.
The story in The Drop unfolds at a good pace. This allows for characters and back stories to evolve in an organic fashion. Protagonist Bob becomes more interesting as the film progresses. The supporting characters are a little more one-dimensional, but this is not a hindrance with the focus on Bob.
The Drop initially appears to be a straightforward gangster film, with its focus on underworld activity in Brooklyn. However, the film develops into something more interesting than this. The character of Bob is well constructed, and as the film focuses more on his personality and motivations, it becomes more engaging. Whilst movement in the plot is vital, it is the development of the central character that really drives this film.
Roskam’s direction is effective but understated. Art direction is good; the film has almost a gauze of dirt; emphasising the seediness of the locale perhaps. Performances in the film are solid. Tom Hardy is aptly quiet but wholly believeable as Bob. James Gandolfini is as reliable as ever in his final role.
The Drop is something of an unassuming picture, but one that most audiences will find satisfying thanks to well-crafted direction and decent performances.