Film Review: The Spy Who Dumped Me

Susanna Fogel’s The Spy Who Dumped Me is a by-the-numbers action comedy. Whilst it is suitably distracting, the film is not particularly memorable.  

Audrey and her best friend Morgan unwittingly find themselves caught up in an international conspiracy when Audrey’s ex-boyfriend shows up at their apartment with assassins on his trail. Audrey and Morgan find themselves on the run in Europe…

Directed and co-written by Susanna Fogel (with David Iverson), The Spy Who Dumped Me mixes action thriller with comedy. The plot revolves around a fish out of water premise with Audrey and Morgan being plunged into a world of espionage. As the situation becomes more ludicrous, the two young women are gung-ho about seeing their mission through. 

The main issue with The Spy Who Dumped Me is that it is not particularly arresting. The narrative functions suitably well, although the plot twist seems pedestrian. With a sparkly script, the film could have been a lot more amusing. The movie is very funny in places, but the jokes don’t always land. 

The strongest aspect in The Spy Who Dumped Me is the camaraderie between Audrey and Morgan. It is refreshing to see a female friendship that holds firm, despite the precarious environment that the two find themselves in. Mila Kunis and KateMcKinnon have good chemistry. The film boasts a decent supporting cast, featuring Gillian Anderson, Justin Theroux and Hasan Minhaj. It is a shame that these collective talents are rather wasted here. 

The cinematography makes the most of the exotic locations, whilst music is used to good effect. The end titles segment feels very unnecessary. The Spy Who Dumped Me hits all the notes expected, but the jokes are not enough to make an impact. 

The Spy Who Dumped Me is available on Digital Download, and on DVD, Blu-Ray & 4K UHD from 26th December 2018.

Film Review: Viceroy’s House

 

Gurinder Chadha’s Viceroy’s House gives an overview of the complex topic of India’s partition in an entertaining and somewhat informative manner. However, some aspects of the film are stronger than others.

In 1947, Lord Mountbatten becomes the last Viceroy, tasked with handing India back to its people. The family live in a house with hundreds of Indian servants, whilst Mountbatten meets with politicians to decide the country’s future…

From the opening montage sequence of the Viceroy’s palatial home being prepared, it seems as if the Viceroy’s House is going to have an ‘Upstairs, Downstairs’ feel. To a certain extent, it does. The story is told through two main strands; the Mountbatten family and the political wrangling of the final days of British rule, and the romance story of servants Jeet and Alia. As the film continues, certain elements take on more importance. 

Director and co-writer Gurinder Chadha’s film focuses on a look inside the negotiating rooms of the last Viceroy. The film does not shy away from political intrigue, nor does it negate the consequences of these negotiations on citizens. The characters are portrayed with light and shade. Chadha seeks to give depth to Mountbatten, suggesting that he shouldered to much of the blame for Partition. Instead, the film suggests a different antagonist later in proceedings. The film is something of a revisionist account.

Where the film falters is in its love story strand. This aspect of the film never really convinces. The need to include Indian characters in a film such as this is more than understandable. However, the relationship between Jeet and Aalia is not convincing, and lacks passion. When things become more serious later in the film, it feels like the film has not done enough to warrant a depth of feeling.

Hugh Bonneville and Gillian Anderson give decent performances. The more memorable performances come from the supporting cast, however. Denzil Smith, Simon Callow, and the late Om Puri all standout. Costumes in the film are wonderful, and the large cast of extras give the film a sense of legitimacy. It is a shame that the use of superimposed newsreel distracts from this authenticity.

The epilogue of Viceroy’s House reveals the personal connection of Gurinder Chadha to the events depicted. It seems a shame that this did not feature in the film in place of the less-compelling love story.

Previews: Lady Macbeth trailer, Raw, More!

This week’s preview of coming attractions include the Lady Macbeth trailer, RawLogan, The Founder and more…

Lady Macbeth Trailer

This Lady Macbeth trailer is most striking. Based on a nineteenth-century novella, the film is about a young woman stifled by her loveless marriage to a much older man. Starring Florence Pugh, Cosmo Jarvis, and Paul Hilton, Lady Macbeth will be released in UK cinemas on 28th April 2017.

Raw Trailer

Raw is about a vegetarian student who is forced to eat meat during hazing rituals at veterinary college. So far so strange, but the coming-of-age film takes a darker turn. Julia Ducournau’s debut film was screened at last year’s BFI London Film Festival. Raw will hit UK screens on 7th April 2017.

Logan Poster

This new poster for the upcoming Wolverine movie Logan evokes The Texas Chainsaw Massacre ever so slightly. With director James Mangold at the helm, this latest X-Men film sees a weathered Logan and a fading Professor Xavier trying to stop the destruction of the world. Starring Hugh Jackman and Patrick Stewart, Logan bounds on to UK screens on 1st March 2017.

Viceroy’s House Clip

Here is a clip from the upcoming Viceroy’s House. I was thinking ‘this is a bit Downton in India’ then Hugh Bonneville popped up. Set during the final months of British rule in India, the film also stars Gillian Anderson, Manish Dayal, and Michael Gabon. Directed by Gurinder Chadha, Viceroy’s House will be released in UK cinemas on 3rd March 2017.

The Founder Trailer

You could probably sell most film’s on the charisma of Michael Keaton alone. The Founder, however, seems to offer more than this. Focusing on the salesman who turned McDonald’s into a international franchise, the film also stars Laura Dern and Nick Offerman. The Founder hits UK screens on 10th February 2017.