Film Highlights of the Decade 2010-2019

As the decade reaches its close, I take a look back at some of my favourite film trends and cinematic highlights from the last ten years…

The New Breed of Unmissable Directors

This decade has seen the emergence of a new breed of directors delivering must-see films. Leading the pack in Hollywood are Damien Chazelle and Barry Jenkins. Chazelle has delivered one of the decade’s best pictures with Whiplash, and two other fantastic films (La La Land and First Man). Meanwhile Jenkins gifted us two beautiful, nuanced pictures with Moonlight and If Beale Street Could Talk. Jennifer Kent has also created two different but powerful movies (The Babadook and The Nightingale), making her mark.

Other impressive directors who have emerged this decade include Ryan Coogler (Fruitvale Station, Creed), Robert Eggers (The Witch, The Lighthouse), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Justin Simien (Dear White People), and Julia Ducournau (Raw) also offered impressive debut features.

Excellent Late Franchise Entries

It really has been a decade of remakes, reboots, and belated sequels. Whilst many of these have been passable or forgettable, a couple of late franchise instalments have really stood out. George Miller bucked the trend to deliver one of the best films of this decade with Mad Max: Fury Road. The exhilarating fourth chapter in the franchise was breathtaking. Director Christopher McQuarrie re-teamed with Tom Cruise for the sixth Mission: Impossible film, and produced the best of the franchise and one of the best action films of the decade with Mission: Impossible – Fallout. Elsewhere director Steven Quale revived the tired Final Destination franchise with the very entertaining final chapter Final Destination 5.

Career Resurgences

This decade has seen a notable uptick in the careers of certain veteran actors. After a fairly quiet previous ten years, Laura Dern’s resurgence has been most rewarding to watch. This decade has seen the actress in an array of film roles including The Master, Certain Women, Marriage Story, and the upcoming Little Women. She has also been memorable on television in Twin Peaks and Big Little Lies. Michael Keaton has also had a belter of a decade, after a fairly unremarkable 2000s. He had major roles in Spotlight, The Founder, and Spider-Man: Homecoming (living long enough to become the villain), and was nominated for an Oscar for his brilliant turn in Birdman. Regina King has always delivered solid performances since her debut in Boyz n the Hood. It is only in the last few years that she has finally received the praise and calibre of roles she deserves, winning an Oscar for her role in If Beale Street Could Talk and playing the lead in the critically acclaimed show Watchmen.

Paddington Bear

In a bleak decade politically, Paddington Bear has been the hero we needed. Paul King’s Paddington and Paddington 2 have been a salve against the cruelties of this decade. A lead who is decent and kind (not to mention incredibly cute) has cut through the cynicism of the current world. The films were very entertaining, and a wonderful escape from current affairs. Paddington 2 in particular was very memorable and enchanting, with Hugh Grant on top form.

Christopher Nolan

If the decade had to belong to a single director, in terms of both critical acclaim and box office receipts, then that filmmaker would be Christopher Nolan. No one has been able to create original tentpole blockbusters in the way he has this decade. Nolan began the decade on top form with the action-thriller Inception, one of the biggest films of the year. He followed this with the final chapter of the Dark Knight trilogy, The Dark Knight Rises. The film is just about the most hopeful blockbuster of the decade, reaching a peak of exhilaration that is difficult to match. Interstellar and the truly superb Dunkirk exhibited Nolan’s comfort in a range of genres. With the upcoming Tenet, Christopher Nolan’s films are always hotly anticipated.

Park Chan-wook and Chung Chung-hoon’s Continuing Collaboration

Director Park Chan-wook and cinematographer Chung Chung-hoon collaboration began in the 2000s, working on three films together (Oldboy, Lady Vengeance, and Thirst). The fact that their partnership continued into this decade is a benefit to us all. With Stoker and The Handmaiden, Park and Chung delivered two of the decade’s handsomest pictures. The photography, the mise en scène, and the style are truly beautiful.

Trent Reznor Film Scores

After composing pieces for films earlier in his career (including for David Lynch’s Lost Highway), the 2010s was when Trent Reznor’s career as a composer really took off. His collaborations with Atticus Ross have been a highlight of cinema this decade. Highlights include the partnership with David Fincher (which netted Reznor an Oscar for The Social Network), as well as Mid90s and the recent Waves. Reznor and Ross also created the superlative score for the show Watchmen.

Directorial Debuts By Actors

This decade has seen some brilliant directorial debuts from well-known actors. These actors have proven their talents extend to behind the camera Highlights from this trend include Greta Gerwig’s wonderful Ladybird (Gerwig co-directed Nights and Weekends, but Ladybird was her first solo effort), and Jordan Peele’s fantastic Get Out. Other notable debuts include Chris Morris’ Four Lions, Olivia Wilde’s Booksmart, Joel Edgerton’s The Gift, Bradley Cooper’s A Star is Born, and Brie Larson’s Unicorn Store.

Previews: The Addams Family Trailer, Official Secrets, More!

Plenty to see in this week’s preview of coming attractions, including the new The Addams Family trailer, The Day Shall Come, The Farewell, and more…

The Addams Family Trailer

Here is the brand new The Addams Family trailer. The animated film is the latest iteration of the creepy family, following the television shows and the 1990s films. This latest movie features the voices of Oscar Isaac, Charlize Theron, and Chloe Grace Moretz. The Addams Family hits UK screens on 25th October 2019.

The Day Shall Come Trailer

Above is the new trailer for The Day Shall Come. Directed by Chris Morris (Four Lions), the film is a satire on Homeland Security, based on 100 true stories. It stars Marchánt Davis, Anna Kendrick, and Danielle Brooks. The Day Shall Come will be released in UK cinemas on 11th October 2019.

Official Secrets Poster

Official Secrets is about the 2003 UK-US invasion of Iraq. The film focuses on Katherine Gun, a translator who leaks a classified email. Directed by Gavin Hood, the film stars Kiera Knightley, Matt Smith, Matthew Goode, and Ralph Fiennes. Official Secrets will hit UK cinemas on 18th October 2019.

The Farewell Trailer

Lulu Wang’s Sundance smash The Farewell gets a UK release date. Written and directed by Wang, the semi-autobiographical drama is about a US-raised young woman who returns to China to see her ailing grandmother. The film stars Awkwafina and Tzi Ma. The Farewell will be released in UK cinemas on 20th September 2019.

The Third Man Trailer

To celebrate its 70th anniversary, Carol Reed’s classic The Third Man gets a 4k re-release. The film, which stars Joseph Cotten and Orson Welles, is about a writer who arrives in post-War Vienna to meet his childhood friend. The film will be screened at a special event at Picturehouse Central in London on 1st September 2019 – seventy years to the day of its world premiere. The Third Man returns to UK cinemas for one day only on 29th September 2019.

Film Review: Four Lions

Much has been made of Chris Morris’ willingness to court controversy. The subject matter of Four Lions has already caused a stir, however a viewing of the film is enough to subside these alarms. Though perhaps not from the Daily Mail.

Four Lions focuses on a group of inept would-be suicide bombers planning a terrorist attack on the UK.  As head of the group, Omar tries to plan an attack that will go down in history. He is thwarted somewhat by the idiocy of his fellow extremists…

The striking thing about Four Lions is that for all its absurdity, much of the film is entirely plausible. Rather than faceless murders, these characters are made three dimensional; Omar in particular is portrayed as much like everyone else, in spite of his unpalatable ideas.

The strength of the film is two-fold. On the one hand, there are the well written characters and scenarios, which promote a sense of believability. On the other, the dialogue and set-ups are incredibly funny, giving the audience exactly what they expect from a comedy of this nature.

With a film such as this, commentators will always question how sensitive filmmakers are with their depiction of the Muslim religion. However, Islam remains one of the few things that isn’t made fun of in the film. Whilst Four Lions parodies extremists and their views, authority figures (police and government) and even the unsuspecting nature of colleagues, friends and the public in general, there is no mockery of the actual religion. Four Lions is much cleverer than that.

There are good performances all round, particularly in the camaraderie between characters played by Riz Ahmed and Kayvan Novak. Elsewhere, it is nice to see The Thick of It‘s Alex Macqueen reprising a political role as a clueless MP.

Four Lions is a both a hilarious film and an astute parody of a politically sensitive topic. Undoubtedly certain factions will deem it offensive. But anyone who has actually seen the film will see this criticism as baseless. Four Lions is definitely worth a watch.