Preview of Coming Attractions: Films in 2019

With an abundance of movie releases slated for next year, it can be hard to identify the gems. After all, there is a glut of Disney live-action remakes (Dumbo, Aladdin, The Lion King), as well as the straight up unappealing (Downton Abbey film, anyone). Here are some must-see films in 2019…

The Favourite

Begin the New Year with Yorgos Lanthimos’ brilliant The Favourite. Starring Olivia Colman, Rachel Weisz, and Emma Stone, the film is Lanthimos’ most enjoyable to date. Boasting a superb script and wonderful performances, The Favourite is hilarious, consuming, and at times touching. Read full review here.

The Favourite will be released in UK cinemas on 1st January 2019.

If Beale Street Could Talk

Director Barry Jenkins has done it again with the powerful and beguiling If Beale Street Could Talk. There is so much to be in awe of in If Beale Street Could Talk. Jenkins’ attention to detail is superb. His storytelling is absolutely enchanting. Read full review here.

If Beale Street Could Talk will be released in UK cinemas on 8th February 2019.

The Lady Eve

Not a new release for the upcoming year, nevertheless the 1941 classic gets a re-release in 2019. Directed by Preston Sturges and starring Barbara Stanwyck and Henry Fonda, the screwball comedy stands the test of time. For first time viewers, The Lady Eve will be one of the best films in 2019.

The Lady Eve will be released at the BFI Southbank and at selected cinemas nationwide from 15th February 2019. It will be screened as part of the Barbara Stanwyck season in February 2019. For more details see here.


Jordan Peele’s Us is one of the most anticipated films in 2019. Following the success of 2017’s Get Out, director and writer Peele returns with another striking-looking horror. Starring Lupita Nyong’o, Winston Duke, and Elisabeth Moss, the film is about a family trip that takes a dark turn.

Us will be released in UK cinemas on 15th March 2019.

Once Upon a Time in Hollywood

Quentin Tarantino’s latest film has the potential to be explosive. Once Upon a Time in Hollywood is set during the Manson Family reign of terror, focusing on a television star and his stunt double. With a cast that includes Leonardo DiCaprio, Brad Pitt, Margot Robbie, and Al Pacino, Once Upon a Time in Hollywood is sure to get people talking.

Once Upon a Time in Hollywood will be released in UK cinemas on 26th July 2019.

The Irishman

Martin Scorsese’s latest project is a thrilling proposition. Focusing on a mob hitman and his possible involvement in the slaying of Jimmy Hoffa, the film sees Scorsese reunite with Robert De Niro, Joe Pesci, Harvey Keitel, and a host of Boardwalk Empire stars (Stephen Graham, Bobby Cannavale, Jack Huston). The Irishman also sees Scorsese direct Al Pacino for the first time. The film is expected to have a cinema release as well as being available to stream on Netflix.


László Nemes’ Sunset is a captivating watch. The director’s sophomore feature (after Son of Saul) is an entrancing mystery drama. Part of the film’s beauty is that it maintains this mystery throughout the duration. Set in the Austro-Hungarian Empire at the eve of World War I, Sunset‘s sense of unease is enthralling. The film is set to be released in early 2019.

The Nightingale

After the success of 2014’s The Babadook, all eyes are on director Jennifer Kent for her next picture. The Nightingale is about a young Irish convict woman who chases a British officer through the rugged Tasmanian wilderness in the early nineteenth century. Starring Sam Claflin and Aisling Franciosi, the film premiered at Venice Film Festival and is due to be released in 2019.


Michael Winterbottom’s Greed is sure to be a lot of fun. The satire is about a fictional retail billionaire and the build up to his star-studded 60th birthday party on a Greek island. Greed stars Steve Coogan, Isla Fisher, and David Mitchell. Although the protagonist is fictional, the parallels are all too clear. Greed is due to be released in UK cinemas in late 2019.


Like 2018, next year will see many sequels. Here are some of the more anticipated follow-up films in 2019. 2014’s The LEGO Movie gets a sequel, with the main voice cast returning, as well as Phil Lord and Chris Miller as producers. The LEGO Movie 2 will be released in UK cinemas on 8th February 2019.

Later in the year, Avengers: Endgame sees the finale of the cycle of the Marvel Cinematic Universe which began with 2008’s Iron Man. The film will hit UK screens on 26th April 2019.  Spider-Man: Far From Home is the sequel to 2017’s superb Spider-Man: Homecoming. Jake Gyllenhaal joins the returning cast for Spider-Man: Far From Home, which will be released on 5th July 2019. Later this year, Zombieland gets a belated sequel. The original cast return for Zombieland 2, which will be released in UK cinemas on 11th October 2019.

Film Review: Mad To Be Normal

Robert Mullan’s Mad To Be Normal offers good performances from its cast. Whilst the attention to detail is commendable, the film is not captivating.

In the 1960s, psychiatrist R.D. Laing offers a different type of treatment to those afflicted with mental health conditions. His methods, which focus on listening to patients over harsh procedures, are the cause of some controversy…

Mad To Be Normal is a biopic of Scottish psychiatrist R.D. Laing. Rather than a traditional biopic, the film concentrates on shorter, critical period of the subject’s life. The film begins by depicting Laing as a quasi-celebrity; it is a good introduction to an interesting character. Much of the film is viewed through the prism of his relationship with Angie, who he meets early on in the narrative.

There are two main strands in Mad To Be Normal. The first concentrates on Laing’s career and his experimental therapy. The stark contrast between his methods and the generally held beliefs at the time are well presented by director Mullan. A scene in which one of the patients, John, undergoes harsh treatment in hospital provides an excellent contrast to Laing’s freedom, emphasis on talking, and loud shirts. The second strand concentrates on Laing’s personal life, although as necessary, these overlap.

One of the most interesting aspects of the film is Laing’s relationship with his patients. He seems to have a genuine bond with them rather than a purely professional relationship. The film hints at a wider connection between Laing and his patients, but this is not explored in any detail. His relationship with Angie is tumultuous, perhaps revealing more about her than about him.

David Tennant offers a strong and commanding performance as Laing, which is the highlight of the film. He is offered good support from Elisabeth Moss, Gabriel Byrne, and Michael Gambon. Mullen shows great attention to detail in his depiction of 1960s London; the sepia tone, the costumes, and the cigarette smoke go a great way in setting the scene. Mad To Be Normal is thought-provoking, even if it does not pack a punch.

Mad To Be Normal will be available on VOD from 13th August 2018.

Film Review: The Square

Writer-director Ruben Östlund’s The Square is through-provoking, engaging, and at times eye widening.

Christian is the curator of a prestigious modern art museum in Stockholm. As he makes preparations for the museum’s next exhibition, Christian finds himself in times of personal and professional crisis…

Focusing on a museum curator, The Square works on multiple levels. On the surface, it is about how the protagonist deals with the upcoming exhibition, and how the distinction between his professional and private lives blur. On a more cerebral level, the film questions societal prejudices, and how the various social strata interact in a modern, liberal city.

Writer and director Ruben Östlund has crafted a broadly good-guy protagonist; one that audiences will be able to get behind. As the narrative progresses, Christian gains a deeper understanding of his privilege, and questions his prejudices. The filmmaker paints a strong contrast between the elitism of arts philanthropy and the realities of the poor in a wealthy city.

The Square‘s narrative works well to intrigue viewers. T film begins with two distinct set pieces, which work to establish the protagonist as well as the theme of the film. It then seems to settle into a straightforward narrative style. A break comes in the final third, with a very striking dinner sequence. There are other elements that point to the abstract, such as the surreal appearance of an animal.

The Square, named for the conceptual art that features in the film, has plenty of visual flair. Geometry is important, this is most visible through the framing of the staircases. The art direction makes good use of colour to strike a contrast between different locales. The sound veers between the extreme and the unnoticeable; sound design works well in all cases.

Claes Bang actor delivers a strong performance as Christian.  Supporting characters come and go, however Elizabeth Moss is memorable in a small role. The Square is smartly humorous and sometimes surprising. Highly recommended viewing.

The Square is released in cinemas and on Curzon Home Cinema on 16th March 2018.