Film Review: Only God Forgives

Only God Forgives

Nicolas Winding Refn’s revenge thriller Only God Forgives is a masterclass in immersive filmmaking.

Julian runs a boxing club, which is a front for a drug-smuggling operation. When Julian’s brother is killed, Julian is expected to find his killer and exact revenge. The pressure is heightened with the arrival of Julian’s mother, baying for blood…

Only God Forgives is light on both plot and dialogue. This coupled with the emphasis on style and atmospherics makes the film immediately comparable to Winding Refn’s last film Drive. The flimsiness of plot is not a problem, however, as any lack is compensated by the pervasive atmosphere.

There is a sense of tribalism to the whole of Only God Forgives. Themes of revenge and accountability reign supreme. Nicolas Winding Refn does not hand these to the audience on a plate. Exposition is limited in Only God Forgives; viewers are left to come to their own conclusions about characters and their motivations.

Whether intentionally or not, Only God Forgives appears unmistakably Lynchian. The cutting from violence to song and the blurred reality give the film a surreal edge. This is a big part of what makes Only God Forgives so absorbing.

The violence in the film exemplifies the barbarism of the story itself. Some of the most violent scenes are difficult to watch. This will not be a surprise to viewers who have seen Drive.

Only God Forgives is highly stylised. The art direction is fantastic, using a limited palette to offer memorable imagery. The use of red and artificial lighting is key to the whole appearance of the film. Composition is exemplary, and the direction is superb. Sound is also used to great effect, generating an uneasy and burgeoning atmosphere. Cliff Martinez’s score is great.

Performances are in-keeping with the overall style of the film. Ryan Gosling and Vithaya Pansringarm were obviously directed to maintain an expressionless countenance which mirrors the mood of proceedings. Kristin Scott Thomas is marvellous playing the grotesque Crystal.

Only God Forgives may frustrate a minority, but most will find the film engrossing and rewarding.

Stuff To Look At

Posters and trailers for some of the summer’s most anticipated releases here, including Only God Forgives, Elysium, and Kick-Ass 2

Only God Forgives

One of the most anticipated films of the year, Only God Forgives reunites Ryan Gosling with Drive director Nicolas Winding Refn. Also starring Kristin Scott Thomas, Only God Forgives hits UK screens on 2nd August 2013.

The Counsellor

I think ‘star-studded’ is the correct term with which to describe The Councellor. Directed by Ridley Scott and starring Michael Fassbender, Cameron Diaz, Javier Bardem, Penelope Cruz and Brad Pitt, The Counsellor  is due for release later this year.

Elysium

Here is the latest trailer for future-set blockbuster Elysium. The film, which stars Matt Damon and Jodie Foster, offers a dytopian vision of Earth, with its inhabits trying to get to a perfect planet. Elysium is released in UK cinemas on 23rd August 2013.

Kick-Ass 2

Kick-Ass 2

Kick-Ass 2 has been in the news thanks to Jim Carrey’s recent comments. I don’t think this bit of publicity will hurt the film’s box office chances too much. Kick-Ass 2 hits UK screens on 14th August 2013.

The Conjuring

Here is the latest trailer for horror The Conjuring. I tend to find a lot of recent horror films quite disappointing in their ability to scare. I hope The Conjuring will do the trick. The film is out in UK cinemas on 2nd August 2013.

Rush

Above is a featurette for upcoming biopic Rush. The film focuses on Formula 1 rivals James Hunt and Niki Lauda. Starring Chris Hemsworth, Rush is released on 13th September 2013.

Drive Tweet-Along #DriveTime

To celebrate the release of Drive on Monday, something rather interesting is being organised in the evening for Twitter users. Fans of the film are encouraged to start watching the film on DVD at 8pm GMT on Monday 30th, and tweet along using the hashtag #DriveTime. Drive is a fantastic film which is sure to encourage debate. Perhaps someone will tell us where to get the infamous satin jacket. Or maybe pontificate on changes made from James Sallis’ novel (which, shockingly, I have actually read). I will be throwing my two cents in at @heartthetalkies.

Drive is released on DVD and Blu-ray on Monday 30th January 2012.

Film Review: Drive

Nicolas Winding Refn’s Drive is aesthetically satisfying, absurd, and compelling throughout. In short, Drive is a must-see film.

A Hollywood stunt car driver moonlights as a getaway driver for hire by night. When he moves into a new building, he meets neighbour Irene and her young son Benicio. Initially hoping to form a friendship with the pair, the driver gets into a lot of trouble when he tries to help out the family…

Based on James Sallis’ novel, Hossein Amini’s screenplay is fairly light. More precedence is given to the look and the feel of Drive. The narrative is fairly straightforward, with more emphasis placed on action rather than speech. Notwithstanding, the film offers tension, as well as reflection.

The dialogue in Drive is very restrained. This is not just limited to the protagonist; Irene in particular seems also to say very little. There is a conspicuous attempt to convey only what is necessary through speech. The lack of dialogue allows the action to breathe in some scenes. Moreover, so much is conveyed by the expressions of the characters that speech is not really necessary.

Drive‘s violence is reserved for a select number of scenes rather than being a consistent feature of the film. When is does rear its head, the violence is incredibly graphic. Although it can be shocking, it never feels gratuitous in the same way as a torture-porn film. Instead, the portrayal of violence is in keeping with the style of Refn’s film.

From the film’s opening credits, it is clear that aesthetics are going to be incredibly important. The hot pink typefont suggests a throwback to the 1980s. This is further reinforced by the choice of soundtrack. Songs such as College’s ‘A Real Hero’ are great, and reminiscent of eighties synth music.

The costumes in Drive also feed into this stylistic theme. The attire of the protagonist is incredibly important in depicting his character. The other characters also appear to be dressed in a particular style, not modern but not distinctly from a specific period either. Costume designer Erin Benach has done a terrific job with the vintage-look designs.

Ryan Gosling shows the necessary restraint in his performance. Like his co-star Carey Mulligan as Irene, so much is portrayed through looks and expressions rather than line delivery. Elsewhere, Albert Brooks and Ron Perlman are well cast in their respective roles.

Drive is simply a superb film. Highly recommended viewing.

Drive Trailer

http://www.premierpr-online.co.uk/player/player_480x300.swf?file=http://www.premierpr-online.co.uk/cinema/dr1v4r?user=ppr?a=false

I saw a clip of Nicolas Winding Refn’s Drive at Empire Big Screen; it looks amazing. I was gutted that not to get into the secret screening of it. The idea to adapt the novel for the big screen originally came from Ryan Gosling, who plays the lead in the film. Carey Mulligan also stars in Drive, which will be released on 23rd September 2011. I cannot wait to see it!

The Empire Big Screen Diaries – Day 2

After staying up last night writing my diary entry, I decided to do it throughout the day. We await with baited breath what film distributors Entertainment One have to show us. Clips of The Twilight Saga: Breaking Dawn – Part 1 are rumoured to be screened. Having not seen any of the previous films, this means nothing to be, but I hear the series is pretty popular. Empire editor Chris Hewitt is currently introducing the day on stage. Paul W.S. Anderson is up first introducing The Three Musketeers. The clip was in 3D which was quite exciting, but I think I would prefer a feature-length version of the Dogtanian and the Three Muskerhounds cartoon.

MyAnna Buring has just introduced The Twilight Saga: Breaking Dawn – Part 1 trailer. We are awaiting clips. MyAnna was a massive fan of the series apparently. No clips have been screened after all. [Edit] Twilight footage has been found! First clip is of Edward and Bella on their honeymoon. I think there is some unintentional humour. Edward calls Bella “Mrs Cullen”. Second clip was of the werewolves have a facing off. Now Ghost Rider 2 trailer, which has a very amusing ending.

Warner Bros Showcase up next with Sherlock Homes: A Game of Shadows. Waiting for Guy Ritchie to get his mike fixed. Guy Ritchie just introduced a short featurette on the sequel. The director is talking about how eager he was to make a follow-up to Sherlock Holmes. Jared Harris is fantastic as Moriarty, apparently. An extended clip of Contagion was screened next, along with the trailer for Happy Feet 2. Peter Jackson introduces a video blog from the set of The Hobbit. Cast and crew seem to be having a lot of fun on set. The Dark Knight Rises teaser trailer follows. Nothing new hear, but it is good to see it on the big screen. The Final Destination 5 opening sequence is so much fun, cannot wait to see it!

At this point, I received a verbal bitch-slapping from security for having my laptop out. After several minutes of indecision (and despite the best efforts of the lovely publicists), we had to put our laptops away, hence the delay in updating this post. With all the kerfuffle, I missed the beginning of the Optimum Showcase. Kill List was discussed, after which clips of Don’t Be Afraid of the Dark was screened. It is difficult to ascertain too much, but the film seems incredibly atmospheric.

The Sony Pictures Showcase was next, with a plethora of trailers and clips. First up was Arthur Christmas, with screenwriter Peter Baynham appearing to discuss the film. The film features a stellar cast of mostly British actors voicing the characters. Peter Lord, director of The Pirates! In an Adventure with Scientists was next on stage to talk about making the animated film. The trailer was screened, as well as brief clips of the main characters.

Sony’s packed showcase continued with a series of trailers, beginning with Friends with Benefits introduced with a video message from Justin Timberlake and Mila Kunis. The trailer of the Straw Dogs remake was screened next, as well as Moneyball and The Girl With the Dragon Tattoo. Next up was a clip from 30 Minutes or Less, introduced with a video message from Jesse Eisenberg and Aziz Ansari. Following this Len Wiseman introduced (again via video) some footage of Total Recall, due for release in 2012. The clip was pretty interesting; the fact that it was unfinished suggests how ‘in production’ the film is.

Roland Emmerich took to the stage to talk about his upcoming film Anonymous. Following this brief discussion, a lengthy clip of the film was screened. With phones confiscated and without a watch, I am not really sure how long this clip was. It felt at one point as if we were watching the entire movie, but not from the very beginning. The film is rather a daring take on a much-loved British icon (Shakespeare) so it will be interesting to see how it will be received. Finally, footage from The Amazing Spider-Man was screened, after a video introduction from Marc Webb, Andrew Garfield and Emma Stone. The first clip focused on Peter Parker, while the second featured his nemesis in the new film, The Lizard. The footage certainly worked well to wet the appetite for next year’s release.

The shortest break only allowed me to snack on prawn cocktail crisps in the press room; every restaurant and cafe in the O2 seemed full to the rafters. Dashing back to the Indigo2, the Icon Showcase was brief and to the point, focusing solely on Drive. Nicholas Winding Refn was interviewed on stage about the film. The project was initially introduced to the director by star Ryan Gosling. A clip of the film was screened – it looks amazing. This is one I am really looking forward to.

After the showcases were done for the day, we queued for the Memories of Raiders event. There were many fans trying to get in for this, but my silver-tongued friend managed to gain us entry when the event looked full. Robert Watts, one of the producers of Raiders of the Lost Ark, delighted audience members with his tales of working with Steven Spielberg and George Lucas. What was great about Robert’s discussion was that he was modest as well as entertaining. Despite having worked on some of the biggest films of the late 1970s and 1980s, he remained down to earth when talking about the films.

We languished in the corridor outside after the talk, trying to ascertain the possibility of getting into the secret screening. Alas, it was not to be, and a group of us ended up going to The Change-Up screening instead. The film was watchable but not overly exciting (review to follow).

After a long long day, we decided to go for a quick drink. On our way to one of the bars in the O2, we noticed that everyone seemed to be dressed in white. Rather than a hoodless Klan meeting, it was for some dance event being held there. Unperturbed, we had a drink before deciding that our bodies required some much needed nourishment. Armadillo was our next port of call, where we had chicken skewers and bacon and cheese toasted sandwiches. I also got a chocolate milkshake served in a pint bottle, but for the first time in my life I couldn’t finish a milkshake. This lead me to reevaluate my life for a quick minute. Thus, the day was ended.