Film Highlights of the Decade 2010-2019

As the decade reaches its close, I take a look back at some of my favourite film trends and cinematic highlights from the last ten years…

The New Breed of Unmissable Directors

This decade has seen the emergence of a new breed of directors delivering must-see films. Leading the pack in Hollywood are Damien Chazelle and Barry Jenkins. Chazelle has delivered one of the decade’s best pictures with Whiplash, and two other fantastic films (La La Land and First Man). Meanwhile Jenkins gifted us two beautiful, nuanced pictures with Moonlight and If Beale Street Could Talk. Jennifer Kent has also created two different but powerful movies (The Babadook and The Nightingale), making her mark.

Other impressive directors who have emerged this decade include Ryan Coogler (Fruitvale Station, Creed), Robert Eggers (The Witch, The Lighthouse), Ana Lily Amirpour (A Girl Walks Home Alone at Night), Justin Simien (Dear White People), and Julia Ducournau (Raw) also offered impressive debut features.

Excellent Late Franchise Entries

It really has been a decade of remakes, reboots, and belated sequels. Whilst many of these have been passable or forgettable, a couple of late franchise instalments have really stood out. George Miller bucked the trend to deliver one of the best films of this decade with Mad Max: Fury Road. The exhilarating fourth chapter in the franchise was breathtaking. Director Christopher McQuarrie re-teamed with Tom Cruise for the sixth Mission: Impossible film, and produced the best of the franchise and one of the best action films of the decade with Mission: Impossible – Fallout. Elsewhere director Steven Quale revived the tired Final Destination franchise with the very entertaining final chapter Final Destination 5.

Career Resurgences

This decade has seen a notable uptick in the careers of certain veteran actors. After a fairly quiet previous ten years, Laura Dern’s resurgence has been most rewarding to watch. This decade has seen the actress in an array of film roles including The Master, Certain Women, Marriage Story, and the upcoming Little Women. She has also been memorable on television in Twin Peaks and Big Little Lies. Michael Keaton has also had a belter of a decade, after a fairly unremarkable 2000s. He had major roles in Spotlight, The Founder, and Spider-Man: Homecoming (living long enough to become the villain), and was nominated for an Oscar for his brilliant turn in Birdman. Regina King has always delivered solid performances since her debut in Boyz n the Hood. It is only in the last few years that she has finally received the praise and calibre of roles she deserves, winning an Oscar for her role in If Beale Street Could Talk and playing the lead in the critically acclaimed show Watchmen.

Paddington Bear

In a bleak decade politically, Paddington Bear has been the hero we needed. Paul King’s Paddington and Paddington 2 have been a salve against the cruelties of this decade. A lead who is decent and kind (not to mention incredibly cute) has cut through the cynicism of the current world. The films were very entertaining, and a wonderful escape from current affairs. Paddington 2 in particular was very memorable and enchanting, with Hugh Grant on top form.

Christopher Nolan

If the decade had to belong to a single director, in terms of both critical acclaim and box office receipts, then that filmmaker would be Christopher Nolan. No one has been able to create original tentpole blockbusters in the way he has this decade. Nolan began the decade on top form with the action-thriller Inception, one of the biggest films of the year. He followed this with the final chapter of the Dark Knight trilogy, The Dark Knight Rises. The film is just about the most hopeful blockbuster of the decade, reaching a peak of exhilaration that is difficult to match. Interstellar and the truly superb Dunkirk exhibited Nolan’s comfort in a range of genres. With the upcoming Tenet, Christopher Nolan’s films are always hotly anticipated.

Park Chan-wook and Chung Chung-hoon’s Continuing Collaboration

Director Park Chan-wook and cinematographer Chung Chung-hoon collaboration began in the 2000s, working on three films together (Oldboy, Lady Vengeance, and Thirst). The fact that their partnership continued into this decade is a benefit to us all. With Stoker and The Handmaiden, Park and Chung delivered two of the decade’s handsomest pictures. The photography, the mise en scène, and the style are truly beautiful.

Trent Reznor Film Scores

After composing pieces for films earlier in his career (including for David Lynch’s Lost Highway), the 2010s was when Trent Reznor’s career as a composer really took off. His collaborations with Atticus Ross have been a highlight of cinema this decade. Highlights include the partnership with David Fincher (which netted Reznor an Oscar for The Social Network), as well as Mid90s and the recent Waves. Reznor and Ross also created the superlative score for the show Watchmen.

Directorial Debuts By Actors

This decade has seen some brilliant directorial debuts from well-known actors. These actors have proven their talents extend to behind the camera Highlights from this trend include Greta Gerwig’s wonderful Ladybird (Gerwig co-directed Nights and Weekends, but Ladybird was her first solo effort), and Jordan Peele’s fantastic Get Out. Other notable debuts include Chris Morris’ Four Lions, Olivia Wilde’s Booksmart, Joel Edgerton’s The Gift, Bradley Cooper’s A Star is Born, and Brie Larson’s Unicorn Store.

Film Review: Mission: Impossible – Fallout

Christopher McQuarrie’s Mission: Impossible – Fallout is the best blockbuster of the year so far. No mean feat for the sixth film in the series.

After a mission goes wrong, Ethan Hunt and the IMF team face a race against time to fix things. Along the way, the team encounter a familiar face, and are joined by members of the CIA…

The second film in the series to be helmed by Christopher McQuarrie (after 2015’s Mission: Impossible – Rogue Nation), Mission: Impossible – Fallout is quite possibly the best film in the franchise thus far. Written and directed by McQuarrie, the film gets a lot right. Action sequences are immense, the plot is entertaining, and the momentum is strong.

The film brings back some of the characters from the previous instalment. As well as the team members, a few other characters return. There is more cohesion to the IMF team this time around, and there are even some more affecting moments to be found. The other main addition is CIA agent Walker, who is tasked with joining Hunt and co on their mission. The plot of the film works well; it is reminiscent of the Bond series – in a good way. There is sufficient peril, but really the narrative takes a backseat to the action.

The numerous action sequences are brilliantly executed. Unlike so many recent blockbusters, McQuarrie relies on stunts rather than CGI to bring the thrills. The sequences are highly exciting, whether it is magnificent fight choreography in one room, a pulsating chase sequence, or a large-scale finale. Tom Cruise tenacity pays off in bounds, giving viewers exactly what they want from an action film. Henry Cavill is a good addition, and Vanessa Kirby is lively in a small role.

Mission: Impossible – Fallout will be hard to beat this year in terms of authentic thrills. A must-see for most.

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Previews: Mission: Impossible – Fallout Featurette, More!

Plenty in this week’s preview of coming attractions, including the new Mission: Impossible – Fallout featurette, plus Mortal Engines, Mile 22, and more…

Mission: Impossible – Fallout Featurette

Here is the brand new Mission: Impossible – Fallout featurette. Producer and star Tom Cruise and director Christopher McQuarrie discuss the upcoming film, the sixth in the franchise. What is interesting about the series is that rather than starting off strong, and getting progressively weaker, the films have got better generally (Mission: Impossible – Ghost Protocol is a particular highlight). Mission: Impossible – Fallout will hit UK screens on 25th July 2018.

Mile 22 Trailer

Here is the latest trailer for Mile 22. The action thriller is about an American intelligence officer who must smuggle an informant out of the country. The film stars Mark Wahlberg, Ronda Rousey, John Malkovich, and Iko Uwais. Directed by Peter Berg, Mile 22 is coming soon to UK cinemas.

Black KkKlansman Poster

Above is the latest poster for Spike Lee’s Black KkKlansman. The film is based on the true story of first African-American detective on the Colorado Springs Police Department, who infiltrates the Ku Klux Klan. The film stars John David Washington and Adam Driver. Black KkKlansman is out at UK cinemas on 24th August 2018.

The House with a Clock in its Walls Trailer

The House with a Clock in its Walls is a new fantasy adventure from director Eli Roth. The film is about a young boy who goes to live with his mysterious uncle in a peculiar house. The film stars Jack Black and Cate Blanchett. The House with a Clock in its Walls will be released in cinemas on 21st September 2018.

Mortal Engines Featurette

Here is a new look at the upcoming Mortal Engines. The film is directed by Christian Rivers, and co-written and produced by Peter Jackson. Set in a post-apocalyptic world, the film is about giant cities that roam the Earth, enveloping smaller towns. Starring Hugo Weaving, Mortal Instruments will hit UK screens on 14th December 2018.

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Film Review: Mission: Impossible Rogue Nation

Mission: Impossible Rouge Nation

The fifth instalment in the franchise, Mission: Impossible Rogue Nation is a formulaic but finely executed action thriller.

Ethan Hunt is convinced of the presence of a shadowy organisation known as The Syndicate. When the IMF are called into question, it is down to Ethan and his small team to trace and combat the rogue group…

The Mission: Impossible film franchise bucks the trend of movie series in that it seems to improve with every instalment. Mission: Impossible Rogue Nation follows the same tread as its predecessors. The big set pieces are present, along with jet-setting adventure, espionage intrigue, and jokes to lighten the mood. Nevertheless director and writer Christopher McQuarrie pulls off the action thriller with some aplomb.

The narrative focuses on the official disbanding of the IMF, and Ethan’s drive to uncover The Syndicate. Mission: Impossible Rogue Nation is very much about espionage. The film harks back to Cold War sensibilities, with the mysterious double agent trope, and the shiftiness of spy agencies. This works well to provide a backdrop and reasoning for the action that unfolds in the film.

What makes Mission: Impossible Rogue Nation so successful is the way it has been executed. Pacing in the film is excellent, with little let up between action sequences. These action sequences are great, with cinematography, sound and effects all working together well. Panoramic shots make the most of exotic locales featured in the film.

Tom Cruise is as active as ever as Ethan Hunt, upping the stunt stakes even further in Mission: Impossible Rogue Nation. Alex Baldwin is a good addition to the returning cast. Rebecca Ferguson is decent as the sole female character Ilsa, a suitably complex role. However, it is a shame that she is reduced to voyeuristic  shots in skimpy attire. He skills and physical prowess suggest that she is little more than eye candy, which makes these shots feel all the more dated. Nevertheless, this is one negative of a great film overall.

Mission: Impossible Rogue Nation is a tremendously entertaining film which should thrill fans of the franchise.

Film Review: Jack Reacher

Jack Reacher is an immensely entertaining thriller. Wisely, the film does not take itself too seriously, which adds to the overall enjoyment.

When five innocent people are gunned down by what appears to be an expert sniper, police believe that they have found the culprit. However Jack Reacher, a former investigator in the army, thinks there is more to the case than meets the eye. He begins an investigation of his own…

A crime thriller that combines mystery with action, Jack Reacher could have easily been run of the mill. In some ways, it is. The narrative is not particularly illuminating. Nevertheless, the opening sequence does the job of grabbing the attention and setting up what is to follow. The sequence is provides sufficient mystery to keep the audience engaged.

The plot is fairly standard for this genre. Where the film excels in its ability to inject a healthy dose of ridiculousness into what could have been a straight-faced thriller. Director and screenwriter Christopher McQuarrie permeates the film with tongue in cheek humour. At least on one occasion where the film may be taking itself seriously but it rather silly, McQuarrie pulls it back to let viewers know that the filmmakers are in on the joke.

The action sequences are good overall, neatly building to a western-style showdown. Production values are sound, and the lighting and camera work in the finale convey a sense of disorientation. Casting Werner Herzog was a masterstroke. He really makes the film. Tom Cruise does not take himself too seriously as the title character, it is pleasant to see a star of his magnitude being able to laugh at himself.

Unless a action thriller can be genuinely original, this is exactly how films of this genre should be made. Jack Reacher is lots of fun.