Skyfall is an excellent Bond film. The entertainment does not let up throughout its two and a half an hour duration.
Secret agent James Bond is on a mission to recover an encrypted key which contains highly classified information. He begins by chasing the assailant through the streets of Istanbul…
Sam Mendes has done a fantastic job directing the 23rd Bond movie. The narrative of Skyfall is somewhat formulaic in its events, but the modern context makes the film feel fresh. All Bond films will be compared with previous episodes, however Skyfall holds its own.
There are some fantastic set pieces in the film, but these are not the only hook. Skyfall carries on from Casino Royale and Quantum of Solace in establishing Bond conventions for the Daniel Craig revision of the series. References to earlier films are featured, in the same wry manner of other Bond films.
Skyfall feels like a more personal film in places, placing greater emphasis on the central character. Raoul Silva is an interesting antagonist. Numerous other Bond villains have been eccentric, but Silva is certainly memorable. Some of the expository dialogue appears too obvious. However this is a minor complaint, as the film is great overall.
As expected, the film features a host of exotic locations. Roger Deakins’ cinematography is on point in capturing both beautiful imagery and frenetic action. The theme song harks back to classic Bond, with a title sequence that matches. Mendes succeeds in building pace and tension to an exciting finale.
Daniel Craig is as convincing as ever on his third outing as James Bond. Javier Bardem is great as Silva, bringing an authentic creepiness to the character. Bond’s colleagues are more apparent in this adventure, with Naomie Harris adding some lightness as field agent Eve.
Skyfall is what a good Bond movie should be; exciting, with great action sequences and an interesting plot. Few will be disappointed with Sam Mendes’ film.