BFI London Film Festival 2019 Launch

This morning saw the launch of the BFI London Film Festival 2019. In its 63rd year, the festival is screening 229 feature films, including 28 world premieres. Here are some highlights from the festival programme…

Headline Galas

The opening and closing films for the BFI London Film Festival 2019 had already been announced. The festival opens with the European premiere of Armando Iannucci’s The Personal History of David Copperfield. An adaptation of the Dickens’ classic, the film stars Dev Patel, Tilda Swinton, and Hugh Laurie. Martin Scorsese‘s hotly-anticipated The Irishman closes the festival. There is an embarrassment of riches among the other headline galas, including Rian Johnson’s Knives Out, Marielle Heller’s (Can You Ever Forgive Me?) A Beautiful Day in the Neighbourhood, and Michael Winterbottom’s Greed, starring Steve Coogan and Isla Fisher.

Strand Galas and Special Presentations

This year, films screening as part of the Strand Galas include Robert Eggers’ (The Witch) The Lighthouse, starring Willem Dafoe and Robert Pattinson. The Dare Gala is Mirrah Folks’ debut feature Judy & Punch, a fairy tale starring Mia Wasikowska. Among the Special Presentations are Takashi Miike’s First Love, and Bombay Rose, a hand-drawn animated feature from Gitanjali Rao.

Official Competition

Among the ten features in Official Competition at the London Film Festival 2019 are Haifaa Al-Mansour’s (Wadjda) The Perfect Candidate, about a young doctor who challenges Saudi Arabia’s strict social codes. Thomas Clay’s Fanny Lye Deliver’d stars Maxine Peake and Charles Dance, and is about a woman living with her puritanical husband in 17th century Shropshire. The Documentary Competition features Rubika Shah’s White Riot, about the Rock Against Racism movement, and Lauren Greenfield The Kingmaker, which focuses on Imelda Marcos. The First Feature Competition includes Joe Talbot’s The Last Black Man in San Francisco and Shannon Murphy’s Babyteeth, a drama starring Eliza Scanlon and Ben Mendelsohn.

Strands

The eleven thematic programme strands are back once more at the London Film Festival 2019. The Love strand includes La Belle Époque, Nicolas Bedos’ drama about an illustrator who uses technology to replay the past, and Ga-young Jeong’s Heart. The Debate strand is particularly strong this year with Citizen K (Alex Gibney‘s documentary on Mikhail Khodorkovsky), Chinonye Chukwu’s Sundance winner Clemency, Terrence Malick’s A Hidden Life, and Scott Z Burns’ The Report, starring Adam Driver. Comedies in the Laugh strand includes Billie Piper’s directorial debut Rare Beasts, whilst Wash Westmoreland’s Earthquake Bird in the Thrill strand stars Alicia Vikander in an 1980s Tokyo-set thriller. Cannes winner The Invisible Life of Eurídice Gusmão is among the films in the Journey category.

The Dare strand features animated coming-of-age tale I Lost My Body and Václav Marhoul’s The Painted Bird, about a Jewish boy on a journey home during wartime. The Cult strand includes Veronika Franz and Severin Fiala’s The Lodge and Lorcan Finnegan’s Vivarium, with Jesse Eisenberg and Imogen Poots. Also in this category is Richard Stanley’s Color Out of Space, a HP Lovecraft adaptation starring Nicolas Cage and Joely Richardson. The Experimenta strand includes Brad Butler and Noorafshan Mizra’s Ruptures, whilst Create includes Midge Costin’s documentary Making Waves: The Art of Cinematic Sound. Two highlights of the Family strand are Edmunds Jansons’ Jacob, Mimmi and the Talking Dogs and Lorenzo Mattotti’s The Bears’ Famous Invasion. Finally, classics that are showing as part of the Treasures programme include David Lynch’s The Elephant Man and Roger Corman’s The Masque of the Red Death, starring Vincent Price.

The BFI London Film Festival 2019 runs from 2nd-13th October. The full programme can be viewed here.

Previews: Oldboy Trailer, Knives Out, More!

A plethora of forthcoming cinematic attractions, including the Oldboy trailer for the 4k re-release, Knives Out, Spies in Disguise and more…

Oldboy Trailer

Here is the new Oldboy trailer. Director Park Chan-wook‘s classic gets a 4k restoration for its upcoming re-release. For those who haven’t seen the 2003 film, it is about an imprisoned businessman who seeks revenge. Oldboy will be released in selected cinemas on 2nd August 2019.

Knives Out Trailer

Here is the trailer for Rian Johnson’s upcoming Knives Out. The murder mystery takes place after a crime novelist is murdered at his estate. The film features an enviable cast that includes Daniel Craig, Jamie Lee Curtis, Chris Evans, and Lakeith Stansfield. Knives Out will hit UK screens soon.

The Art of Dancing in the Rain Poster

Above is the poster for The Art of Dancing in the Rain. Based on the bestselling novel of the same name, the film is about a racecar driver and his relationship with his canine best friend. The film stars Milo Ventimiglia, Amanda Seyfried, and the voice of Kevin Costner. The Art of Dancing in the Rain will hit UK cinemas on 9th August 2019.

Spies in Disguise Trailer

Spies in Disguise is an adventure comedy about a suave spy who must team up with an awkward scientist. The film features the voices of Will Smith, Tom Holland, Ben Mendelsohn, and Karen Gillan. Spies in Disguise will be coming to UK cinemas soon.

A Shaun The Sheep Movie: Farmageddon Poster

Above is a Stranger Things-inspired poster for the upcoming A Shaun The Sheep Movie: Farmageddon. The film is about an alien who lands near Mossy Bottom Farm, and Shaun’s attempts to shepherd the alien home. A Shaun The Sheep Movie: Farmageddon is set for release in UK cinemas on 18th October 2019.

Previews: The Man Who Invented Christmas Trailer, More!

Plenty in this week’s preview of coming attractions, including The Man Who Invented Christmas trailer, Phantom Thread, Daddy’s Home 2 and more…

The Man Who Invented Christmas Trailer

Here is the first The Man Who Invented Christmas trailer. The film stars Dan Stevens as Charles Dickens, and tells the story behind the classic A Christmas Carol. Directed by Bharat Nalluri, the film also stars Christopher Plummer, Jonathan Pryce, and Miriam Margolyes. The Man Who Invented Christmas hits UK screens on 1st December 2017.

Winchester: The House That Ghosts Built Trailer

This looks suitably chilling. Winchester: The House That Ghosts Built is inspired by true events, and is about Winchester fortune heiress, who keeps construction going on her house for decades. The film stars Helen Mirren, Jason Clarke, and Sarah Snook. Winchester: The House That Ghosts Built is set for release in UK cinemas on 2nd March 2018.

Daddy’s Home 2 Clip

Here is a clip from upcoming comedy sequel Daddy’s Home 2. A follow-up to 2015’s Daddy’s Home, the film sees the return of Will Ferrell and Mark Wahlberg’s characters as they celebrate Christmas. This time, they are joined by their own dads, played by John Lithgow and Mel Gibson. Daddy’s Home 2 is out in UK cinemas on 22nd November 2017, with previews on 18th and 19th November.

Darkest Hour Poster

Here is one of the latest posters for Darkest Hour. Directed by Joe Wright (Pan, Anna Karenina), the film is about the lead up to Britain entering World War II. Gary Oldman is unrecognisable as Winston Churchill. He is joined by Kristin Scott Thomas, Lily James, and Ben Mendelsohn. Darkest Hour hits UK screens on 12th January 2018.

Phantom Thread Trailer

Here is the trailer for the eagerly anticipated Phantom Thread. The film is the second collaboration between writer-director Paul Thomas Anderson and actor Daniel Day-Lewis. The film is about a fashion designer who falls in love with a young woman, who becomes his  muse. The film also stars Lesley Manville and Vicky Krieps. Phantom Thread is out in UK cinemas on 2nd February 2018.

Journey’s End Trailer

Journey’s End is based on the play and novel of the same name. The film is about a company on the front-line trenches in France during World War I. Journey’s End stars Sam Claflin (My Cousin Rachel), Asa Butterfield, and Toby Jones. The film is set for release on 2nd February 2018.

Film Review: Una

Director Benedict Andrews’ Una is a drama that reveals its characters and narrative in an unravelling and competent manner. The film may veer towards the melodramatic, yet it excels in other ways.

Una, a young woman, travels to a warehouse to confront a man who used to be her neighbour. She wants to know what drove him to seek a relationship with her when she was just thirteen years old…

Written by David Harrower, based on his play Blackbird, Una is a drama about a difficult subject. The film tackles the area of paedophilia from the premise of a victim confronting her attacker many years after the event. The film features several flashbacks as the two main characters recollect past events.

The strength of Una is in the relaying of psychological effects of trauma. Protagonist Una feels a multitude of emotions. Given the content of the flashbacks, as well as Peter’s words, it is easy to see why what happened in her childhood has had such an effect later in life. Uncomfortable viewing at times, the film often compels. Nevertheless, it comes undone in the second half. The subplot seemingly intends to give more tension to the main interaction, yet this feels like an unnecessary addition.

Ben Mendelssohn gives a strong performance in a challenging role. Rooney Mara is also good, despite an uneven accent. Riz Ahmed is underused; his talents are not stretched in this minor role. Although the film breaks out of its space for the final third, the film does not depart majorly from its stage origins. The moving around in the warehouse may have been an attempt at differentiating from the play, yet tension may have been greater if this device had been employed less.

The final sequence adds friction certainly, however it heightens the disturbed aspect of protagonist. As a result, it feels like it cheapens a serious subject. Una is an engaging examination of a troubling relationship. The film it at its best when it underplays the theatrics.

Film Review: Rogue One: A Star Wars Story

With Rogue One: A Star Wars Story, director Gareth Edwards faces a tricky task of fleshing out the opening crawl and telling a story viewers know the outcome of. Against the odds, Edwards delivers an engaging and thoroughly entertaining film.

Jyn Erso is recruited by the Rebellion to help them discover the background to a powerful new weapon. As she finds out more, Jyn becomes the unlikely leader of an unlikely strike against the Empire…

Rogue One: A Star Wars Story is essentially the story from Star Wars: A New Hope‘s opening crawl. The film functions as an episode after the prequels (ending with Revenge of the Sith) and before A New Hope. The characters at the heart of the film are new. Edwards and screenwriters Chris Weitz and Tony Gilroy must tow a line in not reaching to far into the bookended films, whilst also offering a convincing and complete tale.

The filmmakers produce a memorable film by concentrating on the mission. The characters are developed where they need to be, yet the focus remains of the task ahead. After a timid start, the film finds its feet and propels forward. There are some good set pieces and action amongst the exposition and story development.  However the real treat is the measured build to a wonderful finale third. The climax offers spectacle and tension in abundance. Even though viewers know the outcome, Edwards delivers a memorable conclusion.

Rogue One does not carry humour or lightness in the same way as Star Wars: The Force Awakens. This works however, it is a serious blockbuster without being po-faced. The mood suits the  narrative, given the known outcome. Felicity Jones is strong in the central role. She is ably supported by Diego Luna, Riz Ahmed, and Ben Mendelsohn. Visuals offer both spectacle and a style in keeping with the original series. Michael Giacchino’s score complimentary of John Williams’ original.

With Rogue One: A Star Wars Story, Gareth Edwards delivers the type of prequel viewers would no doubt have loved from the 1999-2005 films. This latest film does the franchise proud.

Film Review: Animal Kingdom

The message that violence begets violence is rarely illustrated more clearly than in a film such as Animal Kingdom. David Michôd’s drama is compelling, and brimming with great performances.

After Joshua ‘J’ Cody’s mother dies of a drug overdose, he goes to live with his grandmother and her family. J becomes trapped between his criminal family and the detective who is after them; whichever path he chooses is dangerous…

Animal Kingdom is rather slow moving, but is compelling for audiences willing to give it a try. The narrative unfolds gradually; at the beginning it is unclear exactly what kind of direction the film will take. In exploring the family dynamics and J’s discomfort, Animal Kingdom is engrossing.

Animal Kingdom focuses on the character of J. The majority of scenes feature the protagonist, and viewers certainly identify with the teenager above all other characters. It is through his eyes that the audience sees his extended family, and the dynamics of their relationship. J’s difficulty in knowing how to react to situations with them and their dealings is something that most will be able to empathise with.

The dialogue in Animal Kingdom appears very natural. The characters interact in a very believable manner. The picture painted by Michôd is convincing in its depiction of crime and policing in Australian suburbs. Although the violence can be shocking, it is never really unrealistic.

Performances are great all round. James Frecheville is well cast as J. He acutely captures the awkwardness of the character. Ben Mendelsohn is great as Pope, conveying the character’s creepy exterior. Guy Pearce is solid as police detective Leckie, although his high billing is solely down to star name rather than the size of his role. Stealing the show, however, is Jacki Weaver as family matriarch Janine Cody. Weaver is excellent in the role, which is more complex than it originally seems. As the film progresses, it becomes clear just what a pivotal role Janine plays in her family’s affairs. Weaver is fantastic in Animal Kingdom, and thoroughly deserves the praise she is receiving.

Animal Kingdom is tragic in a number of ways, not least the fate of young J. It offers a negative but not improbable view that those who grow up with troubled backgrounds are doomed to repeat what they see. The entire Cody family is tragic, but it is of their own making. Animal Kingdom is an affecting film, one that is certainly worth the watch.