Previews: Long Shot Clip, Rocketman, Dark Phoenix, More!

Plenty in this week’s preview of coming attractions, including a new Long Shot clip, Rocketman, Dark Phoenix and more…

Long Shot Clip

Here is a brand new Long Shot clip. The film is about a journalist who reunites with his childhood babysitter as she is about to make a presidential run. Directed by Jonathan Levine, the film stars Charlize Theron, Seth Rogan, and O’Shea Jackson Jr. Long Shot will hit UK cinemas on 3rd May 2019.

Rocketman Featurette

This featurette looks at Elton John’s involvement with biopic Rocketman. The film, featuring the music of John, stars Taron Egerton as the musician early in his career. Directed by Dexter Fletcher, Rocketman will screen at the Cannes Film Festival before being released in UK cinemas on 22nd May 2019.

Fast & Furious: Hobbes & Shaw Trailer

A spin-off of the hugely successful Fast & Furious franchise, Fast & Furious: Hobbs & Shaw focuses on two of the favourite characters from later films. The two former enemies partner up to bring down a threat to humanity. Starring Dwayne Johnson, Jason Statham, Idris Elba, and Vanessa Kirby, Fast & Furious: Hobbs & Shaw is scheduled for release on 2nd August 2019.

Dark Phoenix Trailer

Above is the latest trailer for Dark Phoenix. A continuation of the latest X-Men series, Dark Phoenix concentrates on Jean Grey as she evolves in Phoenix. Regulars Sophie Turner, Michael Fassbender, Jennifer Lawrence, and James McAvoy return for the sequel. They are joined by newcomer Jessica Chastain. Dark Phoenix will hit UK screens on 5th June 2019.

John Wick: Chapter 3 – Parabellum Clip

Here is a new clip from John Wick: Chapter 3 – Parabellum. In this latest episode, assassin Wick has a hefty price tag on his head. Director Chad Stahelski (John Wick and John Wick: Chapter Two) returns for the film, and is joined by Keanu Reeves, Laurence Fishburne, Ian McShane, and Angelica Huston. John Wick: Chapter 3 – Parabellum will be released in UK cinemas on 15th May 2019.

Playmobil: The Movie Trailer

Here is the first trailer for Playmobil: The Movie. The film is based on the toy line of the same name. The film is about a sister who must rescue her younger brother when he disappears into the Playmobil universe. Featuring Anya Taylor-Joy, Jim Gaffigan, and Daniel Radcliffe, Playmobil: The Movie is set for release in UK cinemas on 9th August 2019.

BFI London Film Festival 2017 Launch

It’s that time of year again. Today saw the launch of the BFI London Film Festival 2017. The festival this year sees 242 feature films being screened, which includes 28 world premieres. Here are some picks to look out for at the London Film Festival 2017…

Headline Galas

The opening and closing galas previously announced; closing gala Three Billboards Outside Ebbing, Missouri in particular looks great. Directed by Martin McDonagh (Seven Psychopaths), the film stars Frances McDormand, Sam Rockwell and Woody Harrelson. Other Headline Gala highlights include Battle of the Sexes (starring Emma Stone and Steve Carell), Alexander Payne’s Downsizing, and Guillermo del Toro’s The Shape of Water. Another highlight is The Killing of a Sacred Deer, directed by Yorgos Lanthimos (The Lobster). The film stars Colin Farrell, Nicole Kidman, and Barry Keoghan, and is about a doctor who introduces his family to a fatherless young man he has befriended.

Strand Galas and Special Presentations

This year sees the return of the Embankment Garden Cinema and its series of Strand Galas.   There are a number of exciting screenings, including Redoubtable (Le Redoutable). Directed by Michel Hazanavicius (The Artist) the film is a biopic of Jean-Luc Godard and stars Louis Garrel, Stacy Martin, and Bérénice Bejo. Also showing is Wonderstruck, based on the novel of the same name. Directed by Todd Haynes (Carol), the film stars Julianne Moore. Among the Special Presentations are Sally Potter’s The Party and the first two episodes of David Fincher’s upcoming Netflix series Mindhunter.

Official Competition

Amongst the Official Competition at London Film Festival 2017 are The Breadwinner (an animated film about a young girl in Taliban-controlled Kabul), and Thoroughbred, which stars Anya Taylor-Joy. The First Feature Competition includes Beast, which is about a young woman who falls for a police suspect. Also in this category is I Am Not A Witch, about a young girl in a Zambian village who is accused of being a witch. The Documentary Competition includes Jane, a film about primatologist Jane Goodall.

Strands

A highlight of this year’s Love strand is How to Talk to Girls at Parties, based on the Neil Gaiman short story. The film stars Nicole Kidman and Elle Fanning. The Debate strand features The Venerable W., a documentary about a Buddhist monk espousing anti-Muslim rhetoric. Laugh includes Brigsby Bear, a comedy about a man who tries to remake a children’s show he was obsessed with. A highlight of the Dare category is 9 Fingers, directed by FJ Ossang. The Thrill section includes the classic noir Mildred Pierce, whilst Harry Dean Stanton and David Lynch star in Lucky as part of the Journey strand.

The Cult strand includes Paco Plaza’s horror Veronica, and Create features documentary G Funk, about Snoop Dogg, Warren G and Nate Dogg. The Family strand includes fairy tale compendium Ivan Tsarevitch and the Changing Princess. Experimenta features documentary Tonsler Park, a timely film about polling stations in Charlottesville during last year’s US election.

The full London Film Festival 2017 programme can be viewed here. The BFI London Film Festival runs from 4th-15th October 2017.

Film Review: The Witch

Robert Eggers’ The Witch is an atmospheric and unnerving horror. It is a finely crafted film that is sure to unsettle its audience.

A family in 1630s New England move from a settlement to their own space after their views conflict with those of the community. When their newborn son vanishes, the family begins to suspect daughter Thomasin is at fault. Fears grow with additional strange occurrences…

The Witch employs period folktale to craft its narrative of suspicion and fear in seventeenth-century New England. Writer-director Robert Eggers uses the audience’s knowledge of that period’s superstition and anxiety about witchcraft in his crafting of the film. The film does not need a lot of exposition to build a picture of fears at the time; this is evident through the fervent religion that the protagonists practice. Eggers uses this premise to wreak fear and distrust as the film progresses.

Utilising folklore from the period, Robert Eggers creates a striking spectre. There is much in the film that is derived from base symbolism. The Witch shows viewers the antagonist early on in proceedings. Despite this, there is still a sense of mystery that is retained until the film’s climax. To a certain extent, the antagonist is something of a red herring, as the family’s internal turmoil takes centre stage. This inward-looking approach makes the film a more satisfying watch.

The Witch is very much about the fear of womanhood, as expressed by Thomasin and the attitudes towards her. In this way, the film reflects the era it is set in. There is a sense of witchcraft being an allegory for female puberty, yet the film does not get to hung up on this. Performances in the film are great. Anya Taylor-Joy offers a strong performance as Thomasin, as do Ralph Ineson and Kate Dickie. Harvey Scrimshaw is believable throughout as Caleb.

The setting of The Witch is fantastic. There is a real air of isolation which adds to the atmosphere. The woods are depicted as foreboding, and for good reason. Fear is generated in a tempered but effective manner. There is a bit of a slow build, but this works well to generate later tension. The sound design is great; it goes a long way in setting the scene.

The Witch is a genuinely unnerving watch. This wonderful directorial debut from Eggers will have viewers keen to see what he does next.