BFI London Film Festival 2016 Launch

Today saw the launch of the BFI London Film Festival 2016. This year’s programme is bursting with cinematic delights. There are more galas than in previous years, and screen talk participants include Werner Herzog and Paul Verhoeven. Here are some of the films to look out for at London Film Festival 2016.

Headline Galas

The Birth of a Nation

The London Film Festival 2016’s opening gala A United Kingdom had already been announced, the Scorsese-produced, Ben Wheatley’s Free Fire looks like a lot of fun. Elsewhere, plenty of hotly anticipated films including La La Land, Arrival and The Birth of a Nation. Writer-director Nate Parker also stars in the story of an enslaved preacher who led a revolt in 1830s Virginia. Tom Ford’s Nocturnal Animals is also a headline gala. An adaptation of Austin Wright’s novel Tony and Susan, the film stars Amy Adams, Jake Gyllenhaal and Michael Shannon. Mira Nair’s Queen of Katwe stars David Oyelowo and Lupita Nyong’o.

Strand Galas and Special Presentations

The Handmaiden

This year sees additional galas, which will take place on a purpose built venue on the Strand. They include The Handmaiden, from director Chan-wook Park. The film looks as sumptuous as Park’s previous film Stoker. Miles Teller stars in Bleed For This, based on the true story of boxer Vinny Paziena. Spike Lee’s Chi-Raq is the Sonic Gala. The hip hop musical features Teyonah Parris, Wesley Snipes, Angela Bassett and Samuel L. Jackson. Andrea Arnold’s American Honey and Ava DuVernay’s The 13th are among the special presentations this year.

Official Competition

My Life As A Courgette

Paul Verhoeven’s Elle is amongst the Official Competition at London Film Festival 2016. Staring Isabelle Huppert, the film is an adaptation of a Philippe Dijan novel. Terence Davies’ A Quiet Presentation is a biopic of Emily Dickinson staring Cynthia Nixon. Barry Jenkins’ Moonlight, about a young man struggling with his sexuality in 1980s Miami, looks like a great watch. In the First Feature Competition, Porto sees one of Anton Yelchin’s final performances, whilst animation My Life As A Courgette looks like a lot of fun. David Lynch: The Art Life is among the contenders for the Documentary Competition, as well as The Graduation. The latter is a documentary about a prestigious film school in Paris. Chasing Asylum, about the Australian government’s immigration policies, seems very topical.

Strands

The Salesman

The Love strand features Lovesong, director So Yong Kim’s film about a lonely young mother. It stars Jena Malone and Riley Keough. Highlights in the Debate category include Asghar Farhadi’s The Salesman. A Separation‘s Farhadi has already won awards at Cannes. Mindhorn features in the Laugh strand. The film stars Julian Barratt as a washed-up 1980s TV detective. Dare features Christine, starring Rebecca Hall as the notorious television journalist. Paul Schrader’s Dog Eat Dog looks to be a highlight of the Thrill section, with Nicholas Cage starring alongside Willem Dafoe. Another David Lynch connection (Cage and Dafoe starred in Lynch’s Wild at Heart), Blue Velvet Revisited, features in the Cult strand.

I Am Not A Serial Killer

Cult also features I Am Not A Serial Killer, based on the young adult novel. The Innocents looks to be a highlight of the Journey strand. Anne Fontaine’s film is about a young doctor working for the French Red Cross in 1945. London Town, a coming of age film set in 1979 London, features in the Sonic strand. The Family strand includes Rock Dog, an animation featuring the voices of J.K. Simmons and Luke Wilson. Finally, Experimenta includes Have You Seen My Movie?; a must-see for cinema fans.

The full London Film Festival 2016 programme can be viewed here. The BFI London Film Festival runs from 5th-16th October 2016.

Film Review: Gemma Bovery

Gemma Bovery

Gemma Bovery is a modern adaptation of Gustave Flaubert’s classic novel Madame Bovary. The film is both self-aware and charmingly twee.

Martin is a former Parisian who takes over his father’s bakery in a small French town. When an English couple move in next door, Martin can’t help but draw parallels between the wife and the fictional Madame Bovary…

Director and co-writer Anne Fontaine’s Gemma Bovery is something of an adaptation of the classic novel, as well as being a film about the novel. In Gemma Bovery, characters are not only aware of the existence of the novel Madame Bovary; they actively discuss or dictate events from it.

The film is as much about the narrator as it is about the title character. Viewers are positioned with Martin the baker, and much of the action occurs from his point of view. This use of a narrator, a fan of the original novel, is a good ploy to include references to the Flaubert story without awkward exposition.

The narrative of Gemma Bovery moves at an adequate pace. At times it can feel as if the story is jumping ahead without sufficient exploration. However, this makes sense as most of the action is presented from what Martin sees, rather than each detail of what actually occurs.

Camera work in Gemma Bovery frequently indulges in gentle voyeurism. Taking Martin’s point of view, there is a distinctive focus on Gemma’s face and body. There is a lightness to Fontaine’s direction, and indeed the overall tone of the film. Performances are decent; with Gemma Arterton well cast as her namesake. Fabrice Luchini also brings a jovial feel to Martin. There is a believable mix of French and English, given the characters and the setting.

Gemma Bovery is light and entertaining viewing. The film is sufficiently removed as to not attract comparisons to the novel it so overtly references.