LFF 2016 Highlights Part 2

The BFI London Film Festival has come to a close after another year of some striking and wonderful films. Some brilliant films have already screened in the first week. Here is part 2 of the LFF 2016 highlights…

LFF 2016 Unmissable

Nocturnal Animals

Tom Ford’s Nocturnal Animals is a sumptuous and tense film. The director keeps viewers captivated throughout. Ford’s wonderful directorial debut A Single Man would have many keen to know what he would do next in the cinematic sphere. Despite the recess, this sophomore picture does not disappoint. READ MORE

Brimstone

Martin Koolhoven’s film is unrelenting and unforgiving. Brimstone can be difficult to watch, but it enthrals nevertheless. Brutish and bruising, Brimstone is a thriller that does not know when to quit. But make no mistake, this is a good thing. READ MORE

Lion

Lion

Garth Davis’ Lion is a genuinely emotional drama with great performances from its cast. Lion is an affirming story which does not shy away from some harsh realities. A fantastic watch. READ MORE

LFF 2016 Best of the Rest

Elle

Paul Verhoeven’s Elle absorbs, entertains, and intrigues. After a lengthy break, Verhoeven reminds viewers exactly why he is a great filmmaker. Based on the novel by Philippe Dijan, Elle is a curious and rewarding feature. READ MORE

Free Fire

After the disappointing High-Rise, Ben Wheatley impresses with Free Fire. The film is contagiously fun. Writer-director Ben Wheatley and co-writer Amy Jump have created a very entertaining film with Free Fire. READ MORE

Prevenge

Prevenge

Alice Lowe’s black comedy Prevenge is a fun watch. A quirky premise is transformed into an entertaining film. Writer, director, and star Alice Lowe has created an off-the-wall dark comedy with Prevenge. The premise is original and amusing, and the film itself follows suit. READ MORE

Lake Bodom (Bodom)

Lake Bodom (Bodom) is a very entertaining horror-thriller. The film defies expectations, in a tantalising way. Director and co-writer Taneli Mustonen has created an interesting horror thriller with Lake Bodom. READ MORE

The BFI London Film Festival ran from 5th-16th October 2016.

10 Things To Be Grateful For In 2010

As with most years, 2010 has offered us the good, the bad and the ugly. The following is a highly subjective list of some of the best things to come out of cinema this year. Feel free to add your own entries in the comments below.

1. The Return Of Michael Keaton

Following appearances in such cinematic classics as First Daughter, Michael Keaton spent a number of years in the land successful wide releases forgot. That changed in 2010, with a memorable role voicing Ken in the hugely successful Toy Story 3, and scene-stealing as Captain Gene Mauch in The Other Guys. Although the latter was not exactly the film of the year, Keaton raised the bar with a fantastic comic performance reminiscent of his glory days. This served as a timely reminder of his charisma and aptitude for comedy in Night Shift and Beetlejuice among others. Welcome back, Mr Keaton!

2. Warner Bros Greenlit Inception

Despite its box office success, Inception is a film that has divided critics and audiences. Love it or hate it, we should all be grateful that the studio greenlit the big-budget production in the first place. Based on an original screenplay, Inception was a refuge from the barrage of sequels, remakes, spin-offs and adaptations. Inception was a blockbuster that was engaging yet accessible. For the film, Warner Bros expended the kind of marketing strategy usually reserved for pre-sold entities. Given the healthy box office returns, the gamble certainly paid off. Hopefully Inception‘s success will give more studios the confidence to follow suit.

3. Disney Released A Traditionally Animated Feature

The Princess and the Frog (released in February 2010 in the UK) marked the first hand-drawn animation film from Disney since 2004. The past five years have seen no shortage in animated films; however these have tended to be of the computer generated variety. While features such as Up look fantastic, there is something quintessentially Disney about The Princess and the Frog. The beautiful animation harks back to the golden age of the early and mid-nineties, when each year would see a now classic Disney animated feature. Only time will tell whether The Princess and the Frog will be appraised in the same way as films such as Beauty and the Beast and The Lion King. In the meantime, the film indicates at least some variety in Disney’s output.

4. Referencing The 1980s Is Still In Vogue

Certainly not a new trend for 2010, for a number of years now cinema has been harking back to the eighties. Be it long overdue sequels to 1980s hits (Indiana Jones and the Kingdom of the Crystal Skull), remakes or even choice of soundtrack, referencing that most magical of decades has been a fixture in Hollywood in recent years. 2010, however, may have pulled of a coup d’état with the gloriously nostalgic Hot Tub Time Machine. With an amazing soundtrack and a plethora of references to 1980s films, fashion and popular culture, Steve Pink’s film was the ultimate homage to the much-loved decade.

5. David Fincher Signed On To Direct A Film About Facebook

A film about the creation of social networking site Facebook sounded just about the most unappealing premise of the year. Interest was peaked when David Fincher was announced as director of the project in 2009, but many, like myself, remained unconvinced. All that changed when the film was released in October 2010. The Social Network was one of the most absorbing films of the year, brilliantly executed and visually handsome. A very welcome surprise.

6. Woody Allen Dusted Off A Script From The ’70s

Released in June 2010 in the UK, Whatever Works saw a return to form for prolific director Woody Allen. Based on his original script from the 1970s, Whatever Works featured all the hallmarks of a classic Allen feature; witty dialogue, well-written characters and the New York setting. The film served as a reminder of why Woody Allen is such a lauded filmmaker, and is reminiscent of some of his best-loved pictures of the 1970s and 1980s. Here’s hoping Allen has a few more scripts gathering dust in his attic.

7. Colin Firth Stepped Up His Game

A bastion of period drama and romantic comedies, in 2010 Colin Firth revealed his flair for more serious dramatic roles with two magnificent performances. Firth conveyed the aching tragedy of George in Tom Ford’s A Single Man (released in February 2010 in the UK), and was thoroughly convincing as George VI in The King’s Speech (screened at the London Film Festival in October 2010). Having won awards for A Single Man and already receiving nominations for The King’s Speech, these triumphs are almost enough for us to forget Mamma Mia. Almost.

8. Danny Boyle Produced One Of The Most Wince-Inducing Scenes In Film History

Collective squirming ensued in screenings throughout the world when Danny Boyle’s 127 Hours was released (screened at the London Film Festival in October 2010). Most viewers would have known what to expect, but the film excels in building tension right up until this point. The event itself was visceral enough to apparently induce vomiting and fainting amongst audience members. This may just have been good marketing, but what remains is one of the most memorable scenes of 2010.

9. The Bounty Hunter Was Released In March

Though it has faced some stiff competition, The Bounty Hunter was the worst film released this year. For an action comedy, The Bounty Hunter was painfully unfunny. Like a childhood trauma, time dulls the pain, although you never entirely forget.

10. Joe Dante Directed A ‘Family Horror’

The Hole (released September 2010 in the UK) may not be the greatest film of the year, but it was certainly one of the scariest. For a film with child protagonists and aimed at a family audience, the film was surprisingly frightening. The Hole played on the most primal of fears, which resulted in a film that was far more effective than many of the adult horrors released this year. Although The Hole has been rather overlooked in terms of critical acclaim, it is a must-see for horror aficionados.

Film Review: A Single Man

Ford’s directorial debut is an aural and visual feast. Centering on a day in the life of George, a college professor bereaved from the loss of his long-term partner, this is a film about the minor, seemingly inconsequential moments in life rather than the obviously momentous events.

Set in the early 1960s, A Single Man exposes attitudes to homosexuality at the time, although Ford’s focus is on a character in despair; his sexuality is almost incidental. The story is carefully crafted; the effect that the other characters have on the protagonist is palpable.

Firth is exceptional as George, his sincere performance makes him a worthy Oscar contender. Moore is both believable and immensely watchable as Charley, the old English friend with more than just a soft spot for George. Hoult is engaging as the keen student, his youthful enthusiasm works well as an antidote to Firth’s melancholy.

Cinematography, art direction and editing are all first class. Some of the flashback sequences in particular are beautifully shot, giving real feeling to scenes with little dialogue. The saturation of colour in incidences when George is “brought back” is a nice touch, much of the emotion in the film can be garnered from the visual cues.

A Single Man has been considered by some as being a product of style over substance. Whilst the film is visually stunning, there is also a heartfelt story to be told. Anyone who has ever felt the searing pang of grief or depression will be able to identify with George’s mantra: “Just get through the goddamn day”.