BFI London Film Festival 2018 Launch

Today saw the BFI London Film Festival 2018 launch. Now in its 62nd year, the festival is screening 225 feature films, including 21 world premieres. Here are some highlights from the festival programme…

Headline Galas

The Opening and Closing Gala films had already been announced. The BFI London Film Festival 2018 opens with Steve McQueen’s hotly anticipated Widows, starring Viola Davis, Michelle Rodriguez, and Colin Farrell. McQueen co-wrote the  screenplay with Gillian Flynn. McQueen’s last film, 12 Years A Slave, screened at the 2013 London Film Festival to great acclaim. Stan & Ollie, which features John C. Reilly and Steve Coogan as the legendary comedy duo, closes the festival. Other headline galas include Luca Guadagnino’s hotly anticipated Suspiria, Jason Reitman’s The Front Runner, and Marielle Heller’s Can You Ever Forgive Me?. A particular highlight is Yorgos Lanthimos’ latest. The Favourite is about Queen Anne’s court, and stars Olivia Colman, Rachel Weiss, and Emma Stone. 

Strand Galas and Special Presentations

There are several great looking films in the Strand Galas and Special Presentation programmes. They include Barry Jenkins’ follow up to Moonlight, If Beale Street Could Talk, which is an adaption of James Baldwin’s novel. Others in this category include Lee Chang-dong’s thriller Burning, and Alfonso Caurón’s first film since Gravity, Roma, and Terry Gilliam’s The Man Who Killed Don Quixote. Special Presentations include Michael Moore’s Donald Trump documentary Fahrenheit 11/9, Carol Morley’s noir thriller Out of Blue, and George Tillman Jr.’s The Hate U Give. 

Official Competition

There are some big names in this year’s Official Competition. Films include David Lowery’s (A Ghost Story) The Old Man & The Gun starring Robert Redford, László Nemes’ (Son of Saul) Sunset, and Ben Wheatley’s Happy New Year, Colin Burstead – Wheatley’s Free Fire closed the 2016 festival. Also competing is Karyn Kusama’s Destroyer, starring Nicole Kidman. Meanwhile the Documentary Competition features Putin’s Witness (Svideteli Putina’s film featuring footage of Putin from 1999-2000) and Julien Faraut’s John McEnroe: In The Realm Of Perfection. First Feature Competition includes Isabella Eklöf’s Holiday and Paul Dano’s Wildlife. 

Strands

As in previous years, the eleven programme strands are back. Love features Fred Rogers documentary Won’t You Be My Neighbor?, and the Sandra Hüller starring In The Aisles. Debate includes Oliver Assayas’ latest, Non-Fiction, starring Juliette Binoche and Guillaume Canet, and Catherine Corsini’s An Impossible Love. Laugh includes New Zealand comedy The Breaker Uppers, about two women running a relationship break-up service. Amongst the Dare programme is The Green Fog, which sees filmmakers Guy Maddin and Evan and Galen Johnson remake Vertigo using clips from other people’s films. Thrill includes Kim Nguyen’s The Hummingbird Project (starring Jesse Eisenberg and Alexander Skarsgård), while Cult features Nicolas Cage in Panos Cosmatos’ Mandy. 

Jessica Hynes directorial debut The Fight is part of the Journey strand, and Create includes Joan Jett documentary Bad Reputation. Richard Squires’ Doozy, which recreates the career of Hanna-Barbera’s villain actor Paul Lynde is one of the Experimenta films being screened. The Family strand features Linda Hambäck’s animated detective tale Gordon & Paddy. Finally, there are some great films being screened as part of the Treasures strand. These include Billy Wilder’s classic Some Like It Hot and Mae West in My Little Chickadee.

The BFI London Film Festival 2018 runs from 10th-21st October. The full programme can be viewed here.

Film Review: A Ghost Story

David Lowery’s A Ghost Story is a poignant meditation on grief, and indeed life itself. The film covers an expansive subject, but does so with style.

A couple who live together are beset by a tragedy. C returns in spirit form hoping to comfort M, but he struggles to connect with her. His new form takes him on a metaphysical journey…

Written and directed by David Lowery, A Ghost Story is an extensive exploration of themes delivered in a simple cinematic form. This is none more distinct than in the depiction of C as a ghost. The film does not rely on special effects, instead C wears a white sheet to depict his ghost form. At first instance this is humorous, yet the lack of technical effects is disarming. It promotes a lack of distraction from the film’s central themes that perhaps a more sophisticated rendering would not.

Akin to Lowery’s Ain’t Them Bodies Saints, A Ghost Story unfolds at a relaxed pace, allowing for atmosphere to develop. The most striking thing about the film is not the individual characters featured, but how the film speaks about life as a whole. On one level the film is about grief; the loss of a loved one and the effect this has. On a broader level however, this segues into the wider theme of loneliness of existence, and indeed each person’s place in both their time and wider history. The film becomes more compelling as it progresses, thanks to the questions that it asks. There is a section of the film which features a diatribe by a throwaway character. Although this serves to verbalise the film’s key themes, it feels an unnecessary intrusion. A Ghost Story performs best in its subtlety.

Casey Affleck and Rooney Mara both offer good performances in the film. Nevertheless, the highest praise goes to David Lowery for creating such an honest and compelling film.