The Lobster is a witty and engaging satire on love and relationships in the modern age. Yorgos Lanthimos’ film is incredibly watchable.
In a world where single people are outlawed, David goes to The Hotel following his marriage break up. There, single people are given 45 days to find a new romantic partner, or else they will be turned into an animal…
A dystopian vision of a world of extremist dating, The Lobster is always amusing and appealing. The premise of the film is an enticing one; a world where being single is outlawed and forced coupledom is the order of the day. The film is comical with this set up; The Lobster takes this narrative to the point of absurdity with the animal transformation threat.
A comment on the commodification of love and relationships, satire in The Lobster is strong. The film skewers the reliance on relationships in the modern age, as well as the taboo of singledom. The second half of the film inverts the first half’s forced coupling with an extremist version of aloneness. The two worlds which David inherits are both extreme ends of the relationship scale.
The dystopian world created by director and co-writer Yorgos Lanthimos in The Lobster is recognisable yet unnatural. At first glance, the setting is not unusual, but any ideas about normality are quickly dispelled. Knowledge of the world presented is drip-fed to viewers in a way which illuminates and creates humour. Delivery in The Lobster is excellent, and a cause of many of the laughs. It completely fits the overall tone of the film.
Colin Farrell offers a good performance as David. His deadpan delivery, along with that of Ben Whishaw and Rachel Weisz, goes a way to build the tone of the film. Olivia Colman is also great in a supporting role.
The Lobster is a smart comedy for those who like satire with their laughs. The film is well worth a watch.
The Lobster is being screened at the London Film Festival in October 2015.