Alfonso Cuarón’s Gravity is part awe-inspiring, part terrifying, and wholly absorbing cinema.
Dr Ryan Stone is a medical engineer on her first mission in space. When an accident occurs, Ryan and veteran astronaut Matt Kowalski are left adrift in space…
Gravity is completely captivating. The film progresses at a good pace. It has peaks of action as well as periods to absorb the protagonist’s reaction to said events.
To a certain extent, Gravity takes on the mantel of Alien’s ‘In space no one can hear you scream’. Instead of otherworldly activity, the premise is a realistic one. Cuarón proposes a horrifying incident, then explores a personal reaction to such an event.
Gravity works because it is about emotions and response. The vast majority of viewers cannot relate to the actual situation presented, but will fully empathise with the response to being in such a life-threatening incident. Despite the setting, Gravity is about human experience.
Despite the premise of the film and the tension that this creates, Gravity provides wonderment in its setting. There is much to admire visually. It is easy to see the attraction of space exploration. In spite of the danger, the film retains this sense of awe.
The special effects in Gravity are flawless. There is not one shot that dies not look completely authentic. Emmanuel Lubezki’s cinematography is marvellous. The 3D is one of the best uses of the format in live action film.
Sandra Bullock is believable as Ryan; her sense of apprehension is palpable. George Clooney provides good support as Matt.
Gravity offers spectacle, but also delivers in terms of tension, emotion and entertainment. A must see film.
Gravity is being screened at the BFI London Film Festival in October 2013.